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William S. Burroughs könyvei a rukkolán


William S. Burroughs - Jack Kerouac - Vízilóleves
Ehhez a könyvhöz nincs fülszöveg, de ettől függetlenül még rukkolható/happolható.

William S. Burroughs - Rub ​Out the Words
These ​letters cover the activities of Burroughs, Allen Ginsberg, and Jack Kerouac in the years that gave birth to the "Beat Generation". Written mostly to Ginsberg or Kerouac, the letters provide a rare glimpse into Burroughs' psyche, revealing his struggle with drug addiction, his confusion over his sexual identity, and his search for a form fluid enough to mirror his mind and art.

William S. Burroughs - The ​Burroughs File
Trenchant ​writings by that sardonic "hombre invisible," William Seward Burroughs, perpetrator of Naked Lunch and other shockers. These malefic and beatific, mordant and hilarious straight-face reports on life are mostly from scatter-shot publications in obscure places, foreign and domestic. Including complete texts from White Subway, Cobblestone Gardens, and The Retreat Diaries, this collection delineates Burroughs' comprehensive world-view and his "insurrectionary sense of America's underside," as Tom Carson epitomized it in The Village Voice. Also included are essays on Burroughs by Alan Ansen and Paul Bowles, and facsimile pages from the famous cut-up scrapbooks of the mid-century: The Book of Hours, John Brady's Book, and The Old Farmer's Almanac.

William S. Burroughs - The ​Soft Machine
Hanged ​soldiers, North African street urchins, addicted narcotics agents, Spanish rent boys, evil doctors, corrupt judges and monsters from the mythology of history or the laboratories of science ' Burroughs is truly the Hieronymous Bosch of our time. In this surreal, savage and brilliantly funny novel, Burroughs' famous 'cut-up' technique, the slicing and random folding in of words, was fully developed, transforming the narrative into an extraordinary, unequalled new form of prose poetry.

William S. Burroughs - Junky
Burroughs' ​first novel, a largely autobiographical account of the constant cycle of drug dependency, cures and relapses, remains the most unflinching, unsentimental account of addiction ever written. Through junk neighbourhoods in New York, New Orleans and Mexico City, through time spent kicking, time spent dealing and time rolling drunks for money, through junk sickness and a sanatorium, Junky is a field report (by a writer trained in anthropology at Harvard) from the American post-war drug underground. A cult classic, it has influenced generations of writers with its raw, sparse and unapologetic tone. This definitive edition painstakingly recreates the author's original text word for word.

William S. Burroughs - Exterminator!
Conspirators ​plot to explode a train carrying nerve gas. A perfect servant suddenly reveals himself to be the insidious Dr. Fu Manchu. Science-fantasy wars, racism, corporate capitalism, drug addiction, and various medical and psychiatric horrors all play their parts in this mosaiclike, experimental novel. Here is William S. Burroughs at his coruscating and hilarious best.

William S. Burroughs - The ​Adding Machine
Acclaimed ​by Norman Mailer more than twenty years ago as ’’possibly the only American writer of genius,” William S. Burroughs has produced a body of work unique in our time. In these scintillating essays, he writes wittily and wisely about himself, his interests, his influences, his friends and foes. He offers candid and not always flattering assessments of such diverse writers as Ernest Hemingway, F. Scott Fitzgerald, Joseph Conrad, Graham Greene, Jack Kerouac, Allen Ginsberg, Samuel Beckett, and Marcel Proust. He ruminates on science and the often dubious paths into which it semms intent on leading us, whether into outer or inner space. He reviews his reviewers, explains his famous ’’cut up” method, and discusses the role coincidence has played in his life and his work. As satirist and parodist, William Burroughs has no peer, as these varied works, written over three decades, amply reveal.

William S. Burroughs - Graham Masterton - Rules ​of Duel
Depressed ​reporter Tom Crisp, sometimes known as A14, finds himself embroiled in a web of intrigue as he tries to make sense of his incarceration at Tin Type Hall. ‘Just telling you’ his story unravels in a series of ‘silver film’ as he finds himself in a world full of double-agents such as the psychotic Motherwell the Everlasting Executioner, John Remorse the Serjeant of Time Film and Samuel Baptist the HM Inspector of Brothels. In a world where sexually-charged sofas ejaculate black horse hair and the Hypocritic Oath is blamed for failed medical procedures, Crisp stands helplessly by as Jack Beauregard, the Eater of Cities, is hunted down. It could all be the fault of the Mysterious Babies … but then maybe you can feel the ‘Cold Sun’ … Graham Masterton wrote Rules of Duel between 1964 and 1970, when he was friends with William S Burroughs, the creator of the intersection writing technique. Recently rediscovered, it stands as a thought-provoking, triumphant and poetic tribute to Burroughs. Rules of Duel is a clever and pervasive novel that turns literature on its head and makes the reader work to be part of the evolving plot. Complete with an original introduction by Burroughs, written before his death in 1997, Rules of Duel is a previously unpublished masterpiece from two of the greatest writers of their generations.

William S. Burroughs - Word ​Virus
William ​Burroughs was one of post-war America's most controversial and influential writers. This is the authoritative, indispensable anthology of his greatest work. Beginning early in William Burroughs' career with 'Junky', 'Queer' and a novel co-authored with Jack Kerouac, 'Word Virus' follows his trajectory through the major novels - including 'Naked Lunch' - to his final book, 'My Education', a series of meditations on his own extraordinary dream life. Biographical prefaces to each chapter, and an introductory essay by Beat historian Ann Douglas, provide invaluable context to this collection of the very best of William Burroughs, a unique and visionary writer.

William S. Burroughs - Don't ​Hide the Madness
Two ​seminal figures of the Beat movement, Allen Ginsberg and William S. Burroughs, discuss literary influences and personal history in a never-before-published three-day conversation following the release of the David Cronenberg film of Burroughs' classic novel Naked Lunch. The visit coincided with the shamanic exorcism of the demon that Burroughs believed had caused him to fatally shoot his common law wife, Joan Vollmer Burroughs, in 1951-the event that Burroughs believed had driven his work as a writer. The conversation is interspersed with photographs by Ginsberg revealing Burroughs's daily activities from his painting studio to the shooting range. DON'T HIDE THE MADNESS presents an important, hitherto unpublished primary document of the Beat Generation.

William S. Burroughs - The ​Finger
'He ​felt a sudden deep pity for the finger joint that lay there on the dresser, a few drops of blood gathering around the white bone.' A deliberately severed finger, a junky's Christmas miracle and a Tangier con-artist, among others, feature in these hallucinogenic sketches and stories from the infamous Beat legend. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

William S. Burroughs - Letters ​1945-59
Beginning ​as surprisingly formal notes from the road to his friends Allen Ginsberg and Jack Kerouac, the letters gradually deepen in substance and style. Burroughs' letters show the development of both the man and the writer, vividly documenting his (often turbulent) personal and cultural history. The collection provides a key to opening up and contextualizing Burroughs' fiction, but more than that it shows how letter-writing was itself integral to his life and creative process.

William S. Burroughs - Nova ​Express
The ​diabolical Nova Criminals now include the nightmarish characters of Sammy the Butcher, Iron Claws, Izzy the Push and the Brown Artist, and are poised to wreak untold destruction on the world with their new-found control. Only Inspector Lee of the Nova Police has any chance of stopping them, by dismantling the word and image machine before its too late. The third book of Burroughs' linguistically prophetic cut-up trilogy following The Soft Machine and The Ticket That Exploded Nova Express is a hilarious and Swiftian parody of bureaucracy and the frailty of the human animal.

William S. Burroughs - Tornado ​Alley
Tornado ​Alley is a collection of short stories and one poem by Beat Generation author William S. Burroughs, written during the later years of his career and first published in 1989. The first edition of the book included illustrations by S. Clay Wilson.

William S. Burroughs - The ​Last Words of Dutch Schultz
Before ​he was gunned down in the Palace Chop House in Newark, New Jersey, in October 1935, Arthur Flegenheimer, alias Dutch Schultz, was generally considered New York's Number One racketeer. Taken to a hospital following the gangland shooting, he survived for two days. His room was guarded around the clock, and a police stenographer was stationed at his bedside in the hope of learning who his assailant or assailants were. Instead, what was recorded were Dutch's fevered fantasies, stemming from his childhood and youth, as well as his recent past. Taking these "last words" as his starting point, Burroughs has created his own fantasy of Dutch Schultz, casting his fiction in the form of a film script.

William S. Burroughs - Queer
Originally ​written in 1952 but not published till 1985 due to its outspoken depiction of homosexual desire, Queer is an unflinching autobiographical self-portrait and a coruscating political novel, Burroughs's only realist love story and a comic-grotesque fantasy that paved the way for his masterpiece, Naked Lunch. Set in Mexico City during the early fifties, Queer follows William Lee's hopeless pursuit of an apathetic young man called Eugene Allerton from bar to bar in the American expat scene. As Lee breaks down, Burroughs's trademark voice emerges; a maniacal mix of self-lacerating humour and the Ugly American at his ugliest. A haunting tale of possession and exorcism, Queer is also a novel with a history of secrets, as this new edition reveals.

William S. Burroughs - Last ​Words
Laid ​out as diary entries of the last nine months of Burroughs's life, "Last Words" spans the realms of cultural criticism, personal memoir, and fiction. Classic Burroughs concerns--literature, U.S. drug policy, the state of humanity, his love for his cats--permeate this poignant portrait of the man, his life, and the creative process.

William S. Burroughs - Dead ​Fingers Talk
Dead ​Fingers Talk, first published in 1963, was the fifth novel published by Beat Generation author William S. Burroughs. The book was originally published by John Calder in association with Olympia Press. The book combines sections from Burroughs' earlier novels, Naked Lunch, The Soft Machine and The Ticket That Exploded, in an attempt to create a new narrative. It is sometimes referred to as a compilation, but this is technically incorrect. Its plot cannot be easily described, although it can be said focuses upon conspiracy and the hero getting away from the police. Although the publisher John Calder claimed that it contained previously unpublished material, this extra text has never been identified. Dead Fingers Talk, like many of Burroughs' works, was controversial upon its release. It was the subject of a scathing review in the Times Literary Supplement that resulted in a war of words between supporters and detractors of the novel (and Burroughs in general) that played out in the magazine's letters page for months. The book itself is considered one of the rarer of Burroughs' novels, and despite some reprints in the 1970s, has otherwise been out of print for years.

William S. Burroughs - Ghost ​of Chance
Ghost ​of Chance is an adventure story set in the jungle of Madagascar and filled with the obsessions that mark the work of the man who Norman Mailer once called, "the only American writer possessed by genius." While tripping through the author's trademark concerns?drugs, paranoia, and lemurs, this short novel tells an important story about environmental devastation in a way that only Burroughs can tell it.

William S. Burroughs - The ​Book of Breeething
Ehhez a könyvhöz nincs fülszöveg, de ettől függetlenül még rukkolható/happolható.

William S. Burroughs - Malcolm McNeill - The ​Lost Art of Ah Pook is Here
In ​1970, William S. Burroughs and artist Malcolm McNeill began a small collaborative project on a comic entitled The Unspeakable Mr. Hart, which appeared in the first four issues of Cyclops, England's first comics magazine for an adult readership. Soon after, Burroughs and McNeill agreed to collaborate on a book-length meditation on time, power, and control, and corruption that evoked the Mayan codices and specifically, the Mayan god of death, Ah Pook. Ah Pook is Here was to include their character Mr. Hart, but stray from the conventional comics form to explore different juxtapositions of images and words.Ah Pook was never finished in its intended form. In a 1979 prose collection that included only the words from the collaboration, Ah Pook is Here and Other Texts (Calder, 1979), Burroughs explains in the preface that they envisioned the work to be `one that falls into neither the category of the conventional illustrated book nor that of a comix publication.` Rather, the work was to include `about a hundred pages of artwork with text (thirty in full-color) and about fifty pages of text alone.` The book was conceived as a single painting in which text and images were combined in whatever form seemed appropriate to the narrative. It was conceived as 120 continuous pages that would 'fold out.' Such a book was, at the time, unprecedented, and no publisher was willing to take a chance and publish a `graphic novel.`However, Malcolm McNeill created nearly a hundred paintings, illustrations, and sketches for the book, and these, finally, are seeing the light of day in The Lost Art of Ah Pook. (Burroughs' text will not be included.) McNeill himself is an exemplary craftsman and visionary painter whose images have languished for over 30 years, unseen. Even in a context divorced from the words, they represent a stunning precursor to the graphic novel form to come. Sara J. Van Ness contributes an historical essay chronicling the long history of Burroughs' and McNeill's work together, including its incomplete publishing history with Rolling Stone's Straight Arrow Press, the excerpt that ran in Rush magazine, and the text that was published without pictures.

William S. Burroughs - Everything ​Lost
In ​late summer 1953, as he returned to Mexico City after a seven-month expedition through the jungles of Ecuador, Colombia, and Peru, William Burroughs began a notebook of final reflections on his four years in Latin America. His first novel, "Junkie, "had just been published and he would soon be back in New York to meet Allen Ginsberg and together complete the manuscripts of what became "The Yage Letters" and "Queer. "Yet this notebook, the sole survivor from that period, reveals Burroughs not as a writer on the verge of success, but as a man staring down personal catastrophe and visions of looming cultural disaster.Losses that will not let go of him haunt Burroughs throughout the notebook: Bits of it keep floating back to me like memories of a daytime nightmare. However, out of these dark reflections we see emerge vivid fragments of Burroughs fiction and, even more tellingly, unique, primary evidence for the remarkable ways in which his early manuscripts evolved. Assembled in facsimile and transcribed by Geoffrey D. Smith, John M. Bennett, and Burroughs scholar Oliver Harris, the notebook forces us to change the way we see both Burroughs and his writing at a turning point in his literary biography."

William S. Burroughs - A ​William Burroughs Reader
Ehhez a könyvhöz nincs fülszöveg, de ettől függetlenül még rukkolható/happolható.

William S. Burroughs - The ​Soft Machine: The Restored Text
A ​terrifying, surreal space-age odyssey, The Soft Machine initiated Burroughs' Cut-Up Trilogy that includes Nova Express and The Ticket That Exploded. The book draws the reader into an unmappable textual space, where nothing is true and everything is permitted, to make a total assault on the colonising powers of planet earth that have turned us all into machines. Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition clarifies for the first time the extraordinary history of The Soft Machine's writing and rewriting, demolishing the myths of Burroughs' chance-based writing methods and demonstrating for a new generation the significance of his greatest experiment.

William S. Burroughs - Interzone
Interzone ​portrays the development of Burroughs's mature writing style by presenting a selection of pieces from the mid-1950s. His outrageous tone of voice represents the exorcism of four decades of oppressive sexual and social conditioning. Burroughs's close observations of humanity its ugliness and ignorance invites the reader to dispense with their traditional notions of decorum, and taste the world as he sees it.

William S. Burroughs - El ​almuerzo desnudo
El ​almuerzo desnudo, una de las novelas más míticas de la literatura norteamericana, es un descenso a los infiernos de la droga y una denuncia horrorizada y sardónica, onírica y alucinatoria de la sociedad actual, un mundo sin esperanza ni futuro. Burroughs dispara sus flechas contra las religiones, el ejército, la universidad, la sexualidad, la justicia corrupta, los traficantes tramposos, el colonialismo, la burocracia y la psiquiatría representada por el siniestro Dr. Benway, el gran manipulador de conciencias, el experto en Control total.

William S. Burroughs - Burroughs ​Live
Burroughs ​Live gathers all the interviews, both published and unpublished, given by William Burroughs, as well as conversations with well-known writers, artists, and musicians such as Tenessee Williams, Timothy Leary, Patti Smith, Keith Richards, Allen Ginsberg, Brion Gysin, and Gregory Corso. The book provides a fascinating account of Burroughs's life as a literary outlaw. Illuminating many aspects of his work and many facets of his mind, it brings out his scathing humor, powerful intelligence, and nightmarish vision.

William S. Burroughs - Naked ​Scientology / Ali's Smile
Nonfiction. ​NAKED SCIENTOLOGY contains articles and letters by Burroughs critiquing Scientology, a religion with which he was involved for some time and toward which he maintains a reserved curiosity. According to Burroughs, some of the techniques are highly valuable and warrant further study and experimentation, while on the other hand he is in flat disagreement with the organizational policy. ALI'S SMILE is a hallucinatory dream-tale that loosely takes as its subject the negative effects of Scientology. Bilingual, in English and German.

William S. Burroughs - The ​Yage Letters Redux
In ​January 1953, William S. Burroughs began an expedition into the jungles of South America to find yage, the fabled hallucinogen of the Amazon. From the notebooks he kept and the letters he wrote home to Allen Ginsberg, Burroughs composed a narrative of his adventures that later appeared as The Yage Letters. For this edition, Oliver Harris has gone back to the original manuscripts and untangled the history of the text, telling the fascinating story of its genesis and cultural importance. Also included in this edition are extensive materials, never before published, by both Burroughs and Ginsberg.

William S. Burroughs - The ​Ticket That Exploded
In _The ​Ticket That Exploded_, William S. Burroughs's grand cut-up trilogy, which began with _The Soft Machine_ and continues through _Nova Express_, reaches its climax as Inspector Lee and the Nova Police engage the Nova Mob in a decisive battle for the planet. Only Burroughs make such a nightmare vision of scientists and combat troops, of ad men and con men whose deceitful language has spread like an incurable disease be at once so frightening and so enthralling.

William S. Burroughs - The ​Ticket That Exploded: The Restored Text
An ​outrageous hybrid of pulp science fiction, obscene experimental poetry, and manifesto for revolution, The Ticket That Exploded is a last chance antidote to the virus of lies spread by the ad men and con men of the Nova Mob, a call to arms against those driving our planet toward the point of destruction. Like the other two volumes of Burroughs' Cut-Up Trilogy, The Soft Machine and Nova Express, it is today as fresh in its form and as urgent in its message as it has ever been. Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition reveals how the book's cultural reach has expanded with the viral logic of Burroughs' multi-media creative methods.

William S. Burroughs - Cities ​of the Red Night
An ​opium addict is lost in the jungle; young men wage war against an empire of mutants; a handsome young pirate faces his execution; and the world's population is infected with a radioactive epidemic. These stories are woven together in a single tale of mayhem and chaos. In the first novel of the trilogy continued in The Place of Dead Roads and The Western Lands, William Burroughs sharply satirizes modern society in a poetic and shocking story of sex, drugs, disease and adventure.

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