Ajax-loader

William S. Burroughs könyvei a rukkolán


William S. Burroughs - Jack Kerouac - Vízilóleves
Ehhez a könyvhöz nincs fülszöveg, de ettől függetlenül még rukkolható/happolható.

William S. Burroughs - My ​Education
My ​Education is Burroughs's last novel, first published two years before his death in 1997. It is a book of dreams, collected over several decades and as close to a memoir as we will see. The dreams cover themes from the mundane and ordinary conversations with his friends Allen Ginsberg or Ian Sommerville, feeding his cats, procuring drugs or sex to the erotic, bizarre and visionary. Always a rich source of imagery in Burroughs's own fiction, in this book dreams become a direct and powerful force in themselves.

William S. Burroughs - The ​Burroughs File
Trenchant ​writings by that sardonic "hombre invisible," William Seward Burroughs, perpetrator of Naked Lunch and other shockers. These malefic and beatific, mordant and hilarious straight-face reports on life are mostly from scatter-shot publications in obscure places, foreign and domestic. Including complete texts from White Subway, Cobblestone Gardens, and The Retreat Diaries, this collection delineates Burroughs' comprehensive world-view and his "insurrectionary sense of America's underside," as Tom Carson epitomized it in The Village Voice. Also included are essays on Burroughs by Alan Ansen and Paul Bowles, and facsimile pages from the famous cut-up scrapbooks of the mid-century: The Book of Hours, John Brady's Book, and The Old Farmer's Almanac.

William S. Burroughs - The ​Job
William ​Burroughs' work was dedicated to an assault upon language, traditional values and all agents of control. Produced at a time when he was at his most extreme and messianic, "The Job" lays out his abrasive, incisive, paranoiac, maddened and maddening worldview in interviews interspersed with stories and other writing. On the Beat movement, the importance of the cut-up technique, the press, Scientology, capital punishment, drugs, good and evil, the destruction of nations, Deadly Orgone Radiation and whether violence just in words is violence enough - Burroughs' insights show why he was one of the most influential writers and one of the sharpest, most startling and strangest minds of his generation.

William S. Burroughs - Allen Ginsberg - The ​Yage Letters
An ​early epistolary novel by William Burroughs, whose 1951 account of himself as as junkie, published under the pseudonym William Lee, ended Yage may be the final fix. In letters to Allen Ginsberg, an unknown young poet in New York, his journey to the Amazon jungle is recorded, detailing picaresque incidents of a search for a telepathic-hallucinogenic-mind-expanding drug called yage (Ayahuasca, or Banisteripsis Caape), used by Amazon indian doctors for finding lost objects, mostly bodies and souls. Author and recipient of these letters met again in New York, Christmas 1953, and edited the writings to form this single book. The correspondence contains the first seeds of the later Burroughsian fantasy in Naked Lunch. Seven years later Ginsberg in Peru writes his old guru an account of his own visions and terrors with the same drug, appealing for further counsel. Burroughs' mysterious reply is sent. The volume concludes with two epilogues: a short note from Ginsberg on his return from the Orient years later reassuring Self that he is still here on earth, and a final poetic cut-up by Burroughs, I am dying, Meester?

William S. Burroughs - Ah ​Pook Is Here and Other Texts
Ah ​Pook Is Here was a collaboration between author William S. Burroughs and artist Malcolm Mc Neill. It began in 1970, when Burroughs was living in London and Mc Neill was in his final year of art school. It first appeared under the title The Unspeakable Mr. Hart as a comic strip in the English Cyclops. When that magazine ceased publication, Burroughs and Mc Neill decided to develop the concept as a book. After a year of research and preliminary design the text of the book had expanded from 11 pages to 50, and a complete mockup had been produced. By this point, the work had been renamed Ah Puch Is Here in reference to the Mayan Death God. Straight Arrow Books in San Francisco agreed to publish the proposed work in 1971 as a "Word/Image novel" which was to comprise 120 pages, some of integrated text and image, some of text alone and some which featured only pictures. In 1973, Mc Neill moved to San Francisco from London to finish the project. However, the small advance proffered by the publisher made any more than a few months of working full-time on the project impossible, and when Straight Arrow closed in 1974 the book was without a publisher. Nevertheless, Mc Neill moved to New York in 1975 to rejoin Burroughs and continue the work. They were unable to find another publisher and after seven years on and off, the project was finally abandoned. It was subsequently published in 1979 (by John Calder and Viking Penguin) in text form only under the original title of Ah Pook Is Here.

William S. Burroughs - Junkie
Ehhez a könyvhöz nincs fülszöveg, de ettől függetlenül még rukkolható/happolható.

William S. Burroughs - Nova ​Express: The Restored Text
The ​most ferociously political and prophetic book of the Cut-Up Trilogy, Nova Express fires the reader into a textual outer space to show us our burning planet and to reveal the operations of the Nova Mob in all their ugliness. As with The Soft Machine and The Ticket That Exploded, William Burroughs deploys his cut-up methods to make a visionary demand that we take back the world that has been stolen from us. Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition reveals how Nova Express was cut from an extraordinary wealth of typescripts to create startling new forms of poetic possibility. The third book of Burroughs' linguistically prophetic 'cut-up' trilogy - following The Soft Machine and The Ticket That Exploded - Nova Express is a hilarious and Swiftian parody of bureaucracy and the frailty of the human animal.

William S. Burroughs - Brion Gysin - The ​Third Mind
The ​Third Mind is a book by Beat Generation novelist William S. Burroughs and artist/poet/novelist Brion Gysin. First published in a French-language edition in 1977, it was published in English in 1978. It contains numerous short fiction pieces as well as poetry by Gysin, and an interview with Burroughs. Some chapters had previously been published in various literary journals between 1960 and 1973.

William S. Burroughs - The ​Finger
'He ​felt a sudden deep pity for the finger joint that lay there on the dresser, a few drops of blood gathering around the white bone.' A deliberately severed finger, a junky's Christmas miracle and a Tangier con-artist, among others, feature in these hallucinogenic sketches and stories from the infamous Beat legend. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Alan E. Nourse - William S. Burroughs - Pengefutár
A ​21. századi Amerika egészségügyi rendszere összeomlott, a törvénykezés az ellátást az állampolgárok teljes és végleges sterilizálásához köti, a kórházakban pedig az orvosokat komputerek és robotok váltják föl. Mindezzel a kormányzat a vérengzésbe torkolló egészséglázadásokra keresett megoldást, de a helyzetet némiképp túlreagálta. A rendszerből kikerültekkel illegalitásba menekült orvosok foglalkoznak csak, akik ha kell, műtenek a konyhaasztalon is. Ám az egészségügyi készleteket a hatóságok szigorúan felügyelik, rendelkezéseik kijátszása csupán alvilági módszerekkel sikerülhet. Billy az ellenálló orvosok köré szerveződött földalatti mozgalom tagja, csempész, azaz "pengefutár". Az életét kockáztatja azért, hogy mások megmenekülhessenek. A rendszer ellensége ő, mégis az amerikai nép egyik utolsó reménysége. E könyv utóélete legalább olyan izgalmas, mint maga a történet. Alan E. Nourse 1974-es regényét Hollywood leopciózta, és meg is kezdődtek az előmunkálatok. A legendás William Burroughs irodalmi forgatókönyvet készített belőle, a film azonban sosem valósult meg. A forgatókönyv végül Ridley Scott kezébe került, akinek nagyon megtetszett a cím, így megvásárolta a jogokat... hogy egy egészen más filmet forgathasson le, a Szárnyas fejvadászt. Kötetünk az eredeti regényt és az irodalmi forgatókönyvet egyaránt tartalmazza, valódi csemegével szolgálva mind az irodalom, mind a film szerelmeseinek.

William S. Burroughs - Cities ​of the Red Night
An ​opium addict is lost in the jungle; young men wage war against an empire of mutants; a handsome young pirate faces his execution; and the world's population is infected with a radioactive epidemic. These stories are woven together in a single tale of mayhem and chaos. In the first novel of the trilogy continued in The Place of Dead Roads and The Western Lands, William Burroughs sharply satirizes modern society in a poetic and shocking story of sex, drugs, disease and adventure.

Jack Kerouac - William S. Burroughs - És ​megfőttek a vízilovak
1944-ben ​döbbenetes gyilkosság rázta meg a baráti társaságot, amelyből aztán a beatnemzedék legnagyobb írói kinőttek. A történet és a véres végkifejlet – a bonyolult kapcsolat, mely egy szép, tehetséges, szexuális identitását még csak kereső fiú és középkorú, őrülten szerelmes mentora, gyámja és zaklatója között kialakult – nemcsak az újságok számára volt szenzáció, hanem írók egész sorát igézte meg. Az akkor huszonkét éves Jack Kerouac és a harmincéves William S. Burroughs – még mindkettő ismeretlen, sehol sem publikáló író – közösen megírta a maga változatát, mely nemcsak a bűnügy sztorija, hanem a későbbi beat spontán, szikár stílusában varázsolja elénk New York hangulatát a háború utolsó éveiben – és annak az elveszett nemzedéknek az útkeresését, amely Amerika addigi értékrendjét sok szempontból felrúgva, sőt dühösen elátkozva, az életben és a művészetben is egyre új kalandokra vágyott. A kisregényt sokáig csak mint legendát – mint Kerouac és Burroughs korai, elveszett közös művét – tartották számon a beatirodalom rajongói. De a mű nem veszett el, csak évtizedekig meglapult egy dobozban, mert főhőse, a két író fiatalkori barátja, aki a gyilkosság miatti büntetését letöltve neves újságíró lett, nem járult hozzá a megjelentetéséhez. Végül csak az ő halála után, 2008-ban látott napvilágot a könyv: „a gyilkosság története, amely megszülte a beatnemzedéket”.

William S. Burroughs - Exterminator!
Conspirators ​plot to explode a train carrying nerve gas. A perfect servant suddenly reveals himself to be the insidious Dr. Fu Manchu. Science-fantasy wars, racism, corporate capitalism, drug addiction, and various medical and psychiatric horrors all play their parts in this mosaiclike, experimental novel. Here is William S. Burroughs at his coruscating and hilarious best.

William S. Burroughs - Queer
Originally ​written in 1952 but not published till 1985 due to its outspoken depiction of homosexual desire, Queer is an unflinching autobiographical self-portrait and a coruscating political novel, Burroughs's only realist love story and a comic-grotesque fantasy that paved the way for his masterpiece, Naked Lunch. Set in Mexico City during the early fifties, Queer follows William Lee's hopeless pursuit of an apathetic young man called Eugene Allerton from bar to bar in the American expat scene. As Lee breaks down, Burroughs's trademark voice emerges; a maniacal mix of self-lacerating humour and the Ugly American at his ugliest. A haunting tale of possession and exorcism, Queer is also a novel with a history of secrets, as this new edition reveals.

William S. Burroughs - The ​Soft Machine
Hanged ​soldiers, North African street urchins, addicted narcotics agents, Spanish rent boys, evil doctors, corrupt judges and monsters from the mythology of history or the laboratories of science ' Burroughs is truly the Hieronymous Bosch of our time. In this surreal, savage and brilliantly funny novel, Burroughs' famous 'cut-up' technique, the slicing and random folding in of words, was fully developed, transforming the narrative into an extraordinary, unequalled new form of prose poetry.

William S. Burroughs - The ​Western Lands
A ​fascinating mix of autobiographical episodes and extraordinary Egyptian theology, Burroughs's final novel is poignant and melancholic. Blending war films and pornography, and referencing Kafka and Mailer, The Western Lands confirms his status as one of America's greatest writers. The final novel of the trilogy containing Cities of the Red Night and The Place of Dead Roads, this is a profound meditation on morality, loneliness, life and death.

William S. Burroughs - Junky
Burroughs' ​first novel, a largely autobiographical account of the constant cycle of drug dependency, cures and relapses, remains the most unflinching, unsentimental account of addiction ever written. Through junk neighbourhoods in New York, New Orleans and Mexico City, through time spent kicking, time spent dealing and time rolling drunks for money, through junk sickness and a sanatorium, Junky is a field report (by a writer trained in anthropology at Harvard) from the American post-war drug underground. A cult classic, it has influenced generations of writers with its raw, sparse and unapologetic tone. This definitive edition painstakingly recreates the author's original text word for word.

William S. Burroughs - Burroughs ​Live
Burroughs ​Live gathers all the interviews, both published and unpublished, given by William Burroughs, as well as conversations with well-known writers, artists, and musicians such as Tenessee Williams, Timothy Leary, Patti Smith, Keith Richards, Allen Ginsberg, Brion Gysin, and Gregory Corso. The book provides a fascinating account of Burroughs's life as a literary outlaw. Illuminating many aspects of his work and many facets of his mind, it brings out his scathing humor, powerful intelligence, and nightmarish vision.

William S. Burroughs - Cobble ​Stone Gardens
Ehhez a könyvhöz nincs fülszöveg, de ettől függetlenül még rukkolható/happolható.

William S. Burroughs - Dead ​Fingers Talk
Dead ​Fingers Talk, first published in 1963, was the fifth novel published by Beat Generation author William S. Burroughs. The book was originally published by John Calder in association with Olympia Press. The book combines sections from Burroughs' earlier novels, Naked Lunch, The Soft Machine and The Ticket That Exploded, in an attempt to create a new narrative. It is sometimes referred to as a compilation, but this is technically incorrect. Its plot cannot be easily described, although it can be said focuses upon conspiracy and the hero getting away from the police. Although the publisher John Calder claimed that it contained previously unpublished material, this extra text has never been identified. Dead Fingers Talk, like many of Burroughs' works, was controversial upon its release. It was the subject of a scathing review in the Times Literary Supplement that resulted in a war of words between supporters and detractors of the novel (and Burroughs in general) that played out in the magazine's letters page for months. The book itself is considered one of the rarer of Burroughs' novels, and despite some reprints in the 1970s, has otherwise been out of print for years.

William S. Burroughs - Don't ​Hide the Madness
Two ​seminal figures of the Beat movement, Allen Ginsberg and William S. Burroughs, discuss literary influences and personal history in a never-before-published three-day conversation following the release of the David Cronenberg film of Burroughs' classic novel Naked Lunch. The visit coincided with the shamanic exorcism of the demon that Burroughs believed had caused him to fatally shoot his common law wife, Joan Vollmer Burroughs, in 1951-the event that Burroughs believed had driven his work as a writer. The conversation is interspersed with photographs by Ginsberg revealing Burroughs's daily activities from his painting studio to the shooting range. DON'T HIDE THE MADNESS presents an important, hitherto unpublished primary document of the Beat Generation.

William S. Burroughs - El ​almuerzo desnudo
El ​almuerzo desnudo, una de las novelas más míticas de la literatura norteamericana, es un descenso a los infiernos de la droga y una denuncia horrorizada y sardónica, onírica y alucinatoria de la sociedad actual, un mundo sin esperanza ni futuro. Burroughs dispara sus flechas contra las religiones, el ejército, la universidad, la sexualidad, la justicia corrupta, los traficantes tramposos, el colonialismo, la burocracia y la psiquiatría representada por el siniestro Dr. Benway, el gran manipulador de conciencias, el experto en Control total.

William S. Burroughs - Electronic ​Revolution
A ​newly issued and reformatted, beautifully designed larger version of this bilingual German/English work, published in Germany by Pociao's Expanded Media Editions, featuring a photo of the author by Brion Gysin. "I have described here a number of weapons and tactics in the war game. Weapons that change consciousness could call the war game in question. All games are hostile. Basically there is only one game from here to eternity. . . ". William S. Burroughs

William S. Burroughs - Ghost ​of Chance
Ghost ​of Chance is an adventure story set in the jungle of Madagascar and filled with the obsessions that mark the work of the man who Norman Mailer once called, "the only American writer possessed by genius." While tripping through the author's trademark concerns?drugs, paranoia, and lemurs, this short novel tells an important story about environmental devastation in a way that only Burroughs can tell it.

William S. Burroughs - Interzone
Interzone ​portrays the development of Burroughs's mature writing style by presenting a selection of pieces from the mid-1950s. His outrageous tone of voice represents the exorcism of four decades of oppressive sexual and social conditioning. Burroughs's close observations of humanity its ugliness and ignorance invites the reader to dispense with their traditional notions of decorum, and taste the world as he sees it.

William S. Burroughs - Word ​Virus
William ​Burroughs was one of post-war America's most controversial and influential writers. This is the authoritative, indispensable anthology of his greatest work. Beginning early in William Burroughs' career with 'Junky', 'Queer' and a novel co-authored with Jack Kerouac, 'Word Virus' follows his trajectory through the major novels - including 'Naked Lunch' - to his final book, 'My Education', a series of meditations on his own extraordinary dream life. Biographical prefaces to each chapter, and an introductory essay by Beat historian Ann Douglas, provide invaluable context to this collection of the very best of William Burroughs, a unique and visionary writer.

William S. Burroughs - Malcolm McNeill - The ​Lost Art of Ah Pook is Here
In ​1970, William S. Burroughs and artist Malcolm McNeill began a small collaborative project on a comic entitled The Unspeakable Mr. Hart, which appeared in the first four issues of Cyclops, England's first comics magazine for an adult readership. Soon after, Burroughs and McNeill agreed to collaborate on a book-length meditation on time, power, and control, and corruption that evoked the Mayan codices and specifically, the Mayan god of death, Ah Pook. Ah Pook is Here was to include their character Mr. Hart, but stray from the conventional comics form to explore different juxtapositions of images and words.Ah Pook was never finished in its intended form. In a 1979 prose collection that included only the words from the collaboration, Ah Pook is Here and Other Texts (Calder, 1979), Burroughs explains in the preface that they envisioned the work to be `one that falls into neither the category of the conventional illustrated book nor that of a comix publication.` Rather, the work was to include `about a hundred pages of artwork with text (thirty in full-color) and about fifty pages of text alone.` The book was conceived as a single painting in which text and images were combined in whatever form seemed appropriate to the narrative. It was conceived as 120 continuous pages that would 'fold out.' Such a book was, at the time, unprecedented, and no publisher was willing to take a chance and publish a `graphic novel.`However, Malcolm McNeill created nearly a hundred paintings, illustrations, and sketches for the book, and these, finally, are seeing the light of day in The Lost Art of Ah Pook. (Burroughs' text will not be included.) McNeill himself is an exemplary craftsman and visionary painter whose images have languished for over 30 years, unseen. Even in a context divorced from the words, they represent a stunning precursor to the graphic novel form to come. Sara J. Van Ness contributes an historical essay chronicling the long history of Burroughs' and McNeill's work together, including its incomplete publishing history with Rolling Stone's Straight Arrow Press, the excerpt that ran in Rush magazine, and the text that was published without pictures.

William S. Burroughs - Last ​Words
Laid ​out as diary entries of the last nine months of Burroughs's life, "Last Words" spans the realms of cultural criticism, personal memoir, and fiction. Classic Burroughs concerns--literature, U.S. drug policy, the state of humanity, his love for his cats--permeate this poignant portrait of the man, his life, and the creative process.

William S. Burroughs - Letters ​to Allen Ginsberg
Ehhez a könyvhöz nincs fülszöveg, de ettől függetlenül még rukkolható/happolható.

William S. Burroughs - William ​S. Burroughs' The Revised Boy Scout Manual
Before ​the era of fake news and anti-fascists, William S. Burroughs wrote about preparing for revolution and confronting institutionalized power. In this work, Burroughs’ parody becomes a set of rationales and instructions for destabilizing the state and overthrowing an oppressive and corrupt government. As with much of Burroughs’ work, it is hard to say if it is serious or purely satire. The work is funny, horrifying, and eerily prescient, especially concerning the use of language and social media to undermine institutions. The Revised Boy Scout Manual was a work Burroughs revisited many times, but which has never before been published in its complete form. Based primarily on recordings of a performance of the complete piece found in the archives at the OSU libraries, as well as various incomplete versions of the typescript found at Arizona State University and the New York Public Library archives, this lost masterpiece of satiric subversion is finally available in its entirety.

William S. Burroughs - Graham Masterton - Rules ​of Duel
Depressed ​reporter Tom Crisp, sometimes known as A14, finds himself embroiled in a web of intrigue as he tries to make sense of his incarceration at Tin Type Hall. ‘Just telling you’ his story unravels in a series of ‘silver film’ as he finds himself in a world full of double-agents such as the psychotic Motherwell the Everlasting Executioner, John Remorse the Serjeant of Time Film and Samuel Baptist the HM Inspector of Brothels. In a world where sexually-charged sofas ejaculate black horse hair and the Hypocritic Oath is blamed for failed medical procedures, Crisp stands helplessly by as Jack Beauregard, the Eater of Cities, is hunted down. It could all be the fault of the Mysterious Babies … but then maybe you can feel the ‘Cold Sun’ … Graham Masterton wrote Rules of Duel between 1964 and 1970, when he was friends with William S Burroughs, the creator of the intersection writing technique. Recently rediscovered, it stands as a thought-provoking, triumphant and poetic tribute to Burroughs. Rules of Duel is a clever and pervasive novel that turns literature on its head and makes the reader work to be part of the evolving plot. Complete with an original introduction by Burroughs, written before his death in 1997, Rules of Duel is a previously unpublished masterpiece from two of the greatest writers of their generations.

Kollekciók