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Joseph Sheridan Le Fanu könyvei a rukkolán


Joseph Sheridan Le Fanu - Willing ​to Die
This ​scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Joseph Sheridan Le Fanu - The ​Tenants of Malory
There ​were tenants at last in Malory; and the curiosity of the honest residents of Cardyllian, the small and antique town close by, was at once piqued and mortified by the unaccountable reserve of these people. For four years, except from one twisted chimney in the far corner of the old house, no smoke had risen from its flues. Tufts of grass had grown up between the paving-stones of the silent stable-yard, grass had crept over the dark avenue, which, making a curve near the gate, is soon lost among the sombre trees that throw a perpetual shadow upon it; the groves of nettles had spread and thickened among their trunks; and in the signs of neglect and decay, the monastic old place grew more than ever triste. The pretty little Welsh town of Cardyllian stands near the shingle of a broad estuary, beyond which tower the noble Cambrian mountains. High and dim, tier above tier, undulating hills, broken by misty glens, and clothed with woods, rise from the opposite shore, and are backed, range behind range, by the dim outlines of Alpine peaks and slopes, and flanked by purple and gold-tinted headlands, rising dome-like from the sea.

Joseph Sheridan Le Fanu - Wylder's ​Hand
It ​was late in the autumn, and I was skimming along, through a rich English county, in a postchaise, among tall hedgerows gilded, like all the landscape, with the slanting beams of sunset. The road makes a long and easy descent into the little town of Gylingden, and down this we were going at an exhilarating pace, and the jingle of the vehicle sounded like sledge-bells in my ears, and its swaying and jerking were pleasant and life-like. I fancy I was in one of those moods which, under similar circumstances, I sometimes experience still—a semi-narcotic excitement, silent but delightful. An undulating landscape, with a homely farmstead here and there, and plenty of old English timber scattered grandly over it, extended mistily to my right; on the left the road is overtopped by masses of noble forest. The old park of Brandon lies there, more than four miles from end to end. These masses of solemn and discoloured verdure, the faint but splendid lights, and long filmy shadows, the slopes and hollows—my eyes wandered over them all with that strange sense of unreality, and that mingling of sweet and bitter fancy, with which we revisit a scene familiar in very remote and early childhood, and which has haunted a long interval of maturity and absence, like a romantic reverie.

Joseph Sheridan Le Fanu - The ​Purcell Papers
A ​noble Huguenot family, owning considerable property in Normandy, the Le Fanus of Caen, were, upon the revocation of the Edict of Nantes, deprived of their ancestral estates of Mandeville, Sequeville, and Cresseron; but, owing to their possessing influential relatives at the court of Louis the Fourteenth, were allowed to quit their country for England, unmolested, with their personal property. We meet with John Le Fanu de Sequeville and Charles Le Fanu de Cresseron, as cavalry officers in William the Third's army; Charles being so distinguished a member of the King's staff that he was presented with William's portrait from his master's own hand. He afterwards served as a major of dragoons under Marlborough. At the beginning of the eighteenth century, William Le Fanu was the sole survivor of his family. He married Henrietta Raboteau de Puggibaut, the last of another great and noble Huguenot family, whose escape from France, as a child, by the aid of a Roman Catholic uncle in high position at the French court, was effected after adventures of the most romantic danger

Joseph Sheridan Le Fanu - Green ​Tea / Mr. Justice Harbottle
Though ​carefully educated in medicine and surgery, I have never practised either. The study of each continues, nevertheless, to interest me profoundly. Neither idleness nor caprice caused my secession from the honourable calling which I had just entered. The cause was a very trifling scratch inflicted by a dissecting knife. This trifle cost me the loss of two fingers, amputated promptly, and the more painful loss of my health, for I have never been quite well since, and have seldom been twelve months together in the same place. In my wanderings I became acquainted with Dr. Martin Hesselius, a wanderer like myself, like me a physician, and like me an enthusiast in his profession. Unlike me in this, that his wanderings were voluntary, and he a man, if not of fortune, as we estimate fortune in England, at least in what our forefathers used to term "easy circumstances." He was an old man when I first saw him; nearly five-and-thirty years my senior. In Dr. Martin Hesselius, I found my master. His knowledge was immense, his grasp of a case was an intuition. He was the very man to inspire a young enthusiast, like me, with awe and delight. My admiration has stood the test of time and survived the separation of death. I am sure it was well-founded.

Joseph Sheridan Le Fanu - The ​Watcher and other weird stories
It ​is now more than fifty years since the occurrences which I am about to relate caused a strange sensation in the gay society of Dublin. The fashionable world, however, is no recorder of traditions; the memory of selfishness seldom reaches far; and the events which occasionally disturb the polite monotony of its pleasant and heartless progress, however stamped with the characters of misery and horror, scarcely outlive the gossip of a season, and (except, perhaps, in the remembrance of a few more directly interested in the consequences of the catastrophe) are in a little time lost to the recollection of all. The appetite for scandal, or for horror, has been sated; the incident can yield no more of interest or novelty; curiosity, frustrated by impenetrable mystery, gives over the pursuit in despair; the tale has ceased to be new, grows stale and flat; and so, in a few years, inquiry subsides into indifference.

Joseph Sheridan Le Fanu - The ​House by the Church-Yard
Ehhez a könyvhöz nincs fülszöveg, de ettől függetlenül még rukkolható/happolható.

Joseph Sheridan Le Fanu - E. T. A. Hoffmann - Carmilla ​/ Denner Ignác
Egy ​stájerországi nagy múltú nemesi család birtokára egy váratlan, titokzatos vendég érkezik, aki hamar összebarátkozik a ház urának félárva lányával, Laurával.

Joseph Sheridan Le Fanu - Checkmate
There ​stands about a mile and a half beyond Islington, unless it has come down within the last two years, a singular and grand old house. It belonged to the family of Arden, once distinguished in the Northumbrian counties. About fifty acres of ground, rich with noble clumps and masses of old timber, surround it; old-world fish-ponds, with swans sailing upon them, tall yew hedges, quincunxes, leaden fauns and goddesses, and other obsolete splendours surround it. It rises, tall, florid, built of Caen stone, with a palatial flight of steps, and something of the grace and dignity of the genius of Inigo Jones, to whom it is ascribed, with the shadows of ancestral trees and the stains of two centuries upon it, and a vague character of gloom and melancholy, not improved by some indications not actually of decay, but of something too like neglect.

Joseph Sheridan Le Fanu - Two ​Ghostly Mysteries
In ​the following narrative, I have endeavoured to give as nearly as possible the "ipsissima verba" of the valued friend from whom I received it, conscious that any aberration from her mode of telling the tale of her own life, would at once impair its accuracy and its effect. Would that, with her words, I could also bring before you her animated gesture, her expressive countenance, the solemn and thrilling air and accent with which she related the dark passages in her strange story; and, above all, that I could communicate the impressive consciousness that the narrator had seen with her own eyes, and personally acted in the scenes which she described.

Rudyard Kipling - Joseph Sheridan Le Fanu - E. F. Benson - The ​Room in the Tower and Other Ghost Stories (Penguin Readers)
Three ​stories, three ghosts. There is a dangerous woman in a picture in a room in a tower. A young woman marries an older man and arrives at his house - but his dead wife is still there. A dead man walks through a house - every night. Sometimes the dead do come back ... Recommended for younger learners - but only the brave ones.

Joseph Sheridan Le Fanu - Carmilla ​(francia)
A ​young woman living at her father's castle is the narrator of this novella. When a mysterious and beautiful stranger is stranded at the castle in odd circumstances and becomes a guest, the heroine quickly forms a close bond with her --but she subsequently discovers that her "friend" has a dark and lethal secret.

Joseph Sheridan Le Fanu - Carmilla ​(Penguin Readers)
Laura ​and her father live quietly in a castle in the middle of a thick forest, but their lives change when beautiful, strange Carmilla becomes their guest. People start dying, and Laura also becomes ill. Laura’s father is worried. Will his daughter die too? Or can the deaths be stopped?

Joseph Sheridan Le Fanu - Uncle ​Silas
One ​of the most effective novels of terror ever written, this true Gothic mystery novel is considered by many to be the best of the period. It is not only wonderfully written, skillfully plotted, and peopled with interesting characters, it is incredibly frightening.

Ann Radcliffe - Jane Austen - Edgar Allan Poe - Myla Jo Closser - Joseph Sheridan Le Fanu - Gothic ​Classics: Graphic Classics 14.
Gothic ​Classics presents Ann Radcliffe's archetypal gothic novel The Mysteries of Udopho, adapted by Antonella Caputo and Carlo Vergara. Plus: Jane Austen's gothic parody Northanger Abbey" by Trina Robbins and Anne Timmons; and Poe's "The Oval Portrait" by Malaysian illustrator Leong Wan Kok. Also "At the Gate," a ghost story with dogs by Myla Jo Closser, illustrated by Shary Flenniken;, and J. Sheridan Le Fanu's great vampire tale "Carmilla," by Rod Lott and Lisa K. Weber. With a dramatic cover painting from "Carmilla" by Lisa K. Weber.

Joseph Sheridan Le Fanu - Carmilla ​(angol)
J. ​Sheridan LeFanu's classic novel of blood, terror -- and a love that dare not speak its name. First published as a serial in The Dark Blue (1871–72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The story is often anthologized and has been adapted many times in film and other media. Carmilla is the book that set the text for Dracula, that threw the light on our morbid fascination with the vampire legend.

Joseph Sheridan Le Fanu - Green ​Tea and Other Ghost Stories
4 ​chilling tales by great Victorian master. Famous title story concerns an English cleric’s bouts with a malignant spectral illusion. Also included are Squire Toby’s Will, The Fortunes of Sir Robert Ardagh and Sir Dominick’s Bargain. LeFanu brought high craftsmanship, literary skill and psychological penetration to his stories, qualities which elevate them above most work in the genre. This is an excellent introduction to his oeuvre. New introductory Note.

Joseph Sheridan Le Fanu - Fogadó ​a Repülő Sárkányhoz
Kétszáz ​éve a krimi épp úgy jelen van a világirodalomban, mint a görög dráma vagy az európai nagyregény, legyen ez bár a krimiszerzők és a minden bűnügyi történetet hálásan befogadó nagyközönség közös érdeme vagy bűne. E könyvsorozat pedig tanusítsa, hogy a krimi, mint irodalom a 20. században csakúgy megnyerte a maga esztétikai háborúját, mint a fotográfia, a film, a dzsessz és az avantgárd képzőművészet. Van is valami tiszteletreméltó abban, ahogy a krimi közel két évszázadon át dacolt a polgári szalonokból és néha egyetemi katedrákról szivárgó derűs és finom megvetéssel. És abban is, ahogy túlélte kritikusait.

Joseph Sheridan Le Fanu - In ​a Glass Darkly
`the ​ideal reading...for the hours after midnight' Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant. This makes for spine-chilling reading. The five stories presented here have been collected by Dr Hesselius, a `metaphysical' doctor, the forerunner of the modern psychiatrist, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience.

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