Elly Griffiths könyvei a rukkolán
Elly Griffiths - The Stranger Diaries
Death lies between the lines. A dark story has been brought to terrifying life. Can the ending be rewritten in time? Clare Cassidy is no stranger to murder. As a literature teacher specialising in the Gothic writer RM Holland, she teaches a short course on it every year. Then Clare's life and work collide tragically when one of her colleagues is found dead, a line from an RM Holland story by her body. The investigating police detective is convinced the writer's works somehow hold the key to the case. Not knowing who to trust, and afraid that the killer is someone she knows, Clare confides her darkest suspicions and fears about the case to her journal. Then one day she notices some other writing in the diary. Writing that isn't hers...
Elly Griffiths - The Lantern Men
Everything has changed for Dr Ruth Galloway. She has a new job, home and partner, and is no longer North Norfolk police's resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this, and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging. Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travellers to their deaths. Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?
Elly Griffiths - The Crossing Places
Dr Ruth Galloway is in her late 30s. When she's not digging up bones or other ancient objects, she lectures at a university in Norfolk. She lives, alone but happily so, in a bleak, marshy area called Saltmarsh overlooking the sea and Norfolk's vast skies with her cats and Radio 4 for company. She's a salty character - quirky. When a child's bones are found in the marshes, near a dig that Ruth and her former boyfriend Peter worked on ten years before, Ruth is called upon to date them. They turn out to be bronze-age bones and DCI Harry Nelson, who called on Ruth for help, is disappointed. He had hoped they would be the bones of a child called Lucy who's been missing, presumed dead, for ten years. He has been getting letters about her ever since - odd letters with references to ritual and sacrifice, and including quotes from the Bible and Shakespeare. Then a second girl goes missing and Nelson gets another letter - like the ones about Lucy. Is it the same killer? Is it a ritual murder, linked in some way to the site near Ruth's remote home? Then one of Ruth's cats is killed and clearly she's in danger from a killer who knows that her expert knowledge is being used to help the police with their enquiries...
Elly Griffiths - Dying Fall
Ruth Galloway, forensic archaeologist, spends her life looking at death. But now death has found her, with the news that her long-time friend Dan Golding has been killed. Ruth’s grief soon turns to suspicion when she receives a desperate letter from Dan, sent the day before he died. He had made a ground-breaking discovery – and was petrified of the consequences. Ruth is compelled to travel north to investigate further, alongside DCI Harry Nelson who is also drawn into the case. But where Ruth goes, so does her daughter, Kate. This time, the risks are even higher.
Elly Griffiths - The Janus Stone
Ruth Galloway is called in to investigate when builders, demolishing a large old house in Norwich to make way for a housing development, uncover the bones of a child beneath a doorway – minus the skull. Is it some ritual sacrifice or just plain straightforward murder? DCI Harry Nelson would like to find out – and fast. It turns out the house was once a children’s home. Nelson traces the Catholic priest who used to run the home. Father Hennessey tells him that two children did go missing from the home forty years before – a boy and a girl. They were never found. When carbon dating proves that the child’s bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the scent by frightening her half to death…
Elly Griffiths - The House at Sea's End
A team of archaeologists, investigating coastal erosion on the north Norfolk coast, unearth six bodies buried at the foot of a cliff. How long have they been there? What could have happened to them? Forensics expert Ruth Galloway and DCI Nelson are drawn together again to unravel the past. Tests reveal that the bodies have lain, preserved in the sand, for sixty years. The mystery of their deaths stretches back to the Second World War, a time when Great Britain was threatened by invasion. But someone wants the truth of the past to stay buried, and will go to any lengths to keep it that way… even murder.
Elly Griffiths - A Room Full of Bones
It is Halloween night, and the local museum in King’s Lynn is preparing for an unusual event – the opening of a coffin containing the bones of a medieval bishop. But when Ruth Galloway arrives, she finds the museum’s curator lying dead beside the coffin. Soon the museum’s wealthy owner lies dead in his stables too. These two deaths could be from natural causes but when he is called in to investigate, Nelson isn’t convinced, and it is only a matter of time before Ruth and DI Nelson cross paths once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth’s friends become involved, where will her loyalties lie? As her convictions are tested, she and Nelson must discover how Aboriginal skulls, drug smuggling and the mystery of The Dreaming may hold the answer to these deaths, and their own survival.
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