A new title from the author of The Flea Palace.
Shafak explores the subject of body image and desirability in women and men. An overweight woman and her lover, a dwarf, are sick of being stared at wherever they go so decide to reverse roles. The man goes out wearing make up, and the woman draws a moustache on her face.
The couple deal with the gaze of passersby in different ways. The woman wants to hide away from the world, while the man meets them head on, even compiling his own ‘Dictionary of the Gaze’ to show the powerful effects a simple look can have on a person’s life.
The narrative of The Gaze is intertwined with the dwarf’s dictionary entries and the story of a bizarre freak-show organized in Istanbul in the 1880s as the author explores the damage which can be done by our simple desire to look at other people.
Elif Shafak - The Saint of Incipient Insanities
The Saint of Incipient Insanities is the comic and heartbreaking story of a group of twenty-something friends, and their never-ending quest for fulfillment. Omer, Abed and Piyu are roommates, foreigners all recently arrived in the United States. Omer, from Istanbul, is a Ph.D. student in political science who adapts quickly to his new home, and falls in love with the bisexual, suicidal, intellectual chocolate maker Gail. Gail is American yet feels utterly displaced in her homeland and moves from one obsession to another in an effort to find solid ground. Abed pursues a degree in biotechnology, worries about Omer's unruly ways, his mother's unexpected visit, and stereotypes of Arabs in America; he struggles to maintain a connection with his girlfriend back home in Morocco. Piyu is a Spaniard, who is studying to be a dentist in spite of his fear of sharp objects, and is baffled by the many relatives of his Mexican-American girlfriend, Algre, and in many ways by Algre herself. Keenly insightful and sharply humorous, The Saint of Incipient Insanities is a vibrant exploration of love, friendship, culture, nationality, exile and belonging.
Elif Shafak - The Flea Palace
Shafak uses the narrative structure of A Thousand and One Nights to construct a story-within-a-story, as the mystery of the apartments stolen garbage is considered from a variety of perspectives. There is the narrator, a womanizing, raki-swilling academic with a penchant for Kierkegaard; Hygiene Tijen, the clean freak , and her lice-ridden daughter Su; madly flamboyant Ethel, a lapsed Jew in search of true love, and the charmingly naive Blue Mistress whose personal secret is just one of many hidden within the confines of the building. Add to this a strange, intensifying stench, the cause of which is revealed at the end of the book, and we have a metaphoric conduit for the cultural and spiritual decay at the heart of Istanbul.
Elif Shafak - The Bastard of Istanbul
'Wonderfully magical, incredible, breathtaking... will have you gasping with disbelief in the last few pages' _Sunday Express_ One rainy afternoon in Istanbul, a woman walks into a doctor's surgery. 'I need to have an abortion,' she announces. She is nineteen years old and unmarried. What happens that afternoon will change her life. Twenty years later, Asya Kazancı lives with her extended family in Istanbul. Due to a mysterious family curse, all the Kazancı men die in their early forties, so it is a house of women, among them Asya's beautiful, rebellious mother, Zeliha, who runs a tattoo parlour; Banu who has newly discovered herself as a clairvoyant; and Feride, a hypochondriac obsessed with impending disaster. And when Asya's Armenian-American cousin Armanoush comes to stay, long-hidden family secrets connected with Turkey's turbulent past begin to emerge.
Elif Shafak - Honour
‘My mother died twice. I promised myself I would not let her story be forgotten . . .’ Leaving her twin sister behind, Pembe leaves Turkey for love – following her husband Adem to London. There the Topraks hope to make new lives for themselves and their children. Yet, no matter how far they travel, the traditions and beliefs the Topraks have left behind stay with them – carried in the blood. Their eldest is the boy Iskender, who remembers Turkey and feels betrayal deeper than most. His sister is Esma, who is loyal and true despite the pain and heartache. And, lastly, Yunus, who was born in London, and is shy and different. Trapped by the mistakes of the past, the Toprak children find their lives shattered and transformed by a brutal act of murder A powerful novel set in Turkey and London in the 1970s and today, Honour explores pain and loss, loyalty and betrayal, the trials of the immigrant, the clash of tradition and modernity, as well as the love and heartbreak that too often tears families apart. .
Özgür Kahraman - İlköğretim resimli ingilizce-türkçe, türkçe-ingilizce sözlük
- İlköğretim düzeyinde - Sözcüklerin okunuşları - 2600 sözcük - 2300 örnek cümle - 1200 renkli resim
Orhan Pamuk - The Museum of Innocence
From the universally acclaimed author of Snow and My Name Is Red, his first novel since winning the Nobel Prize. It is 1975 in Istanbul. Kemal, thirty, from an upperclass family, is engaged to a girl of like background when by chance he encounters a long-lost relation: Füsun is a shopgirl, an eighteen-year-old beauty who stirs all the passion denied him in a society where sex outside marriage is taboo. Their incandescent liaison will flicker and die when Füsun learns of Kemal's engagement. But Kemal cannot forget her: he breaks up with his fiancée to pursue Füsun, only to lose her to another man. For nine years Kemal finds excuses to visit Füsun's impoverished, conservative marital household, playing the kindly cousin, hoping to lure her back. But Füsun's heart is hardened. From his visits Kemal will take away nothing but odd personal effects, possessions he will collect and cherish, in the private religion his adoration becomes. His hoard will make him famous - and a laughingstock - in Istanbul society. And when a final chance at happiness is ripped away, all that remains to him is his museum, this map of a society's rituals and mores, and of one man's broken heart. A stirring exploration of the nature of romantic attachment and the strange allure of collecting, this is Orhan Pamuk's greatest achievement.
Orhan Pamuk - My Name Is Red
Pamuk's widely acclaimed and richly detailed historical thriller, which has been favourably compared with Umberto Eco's "The Name Of The Rose", and which featured heavily in last year's broadsheet "Books Of The Year" round-ups. A murder mystery set in sixteenth century Istanbul, it is also a meditation on love, artistic devotion and the historical and cultural differences between East and West. "Magnificent...In this world of forgeries, where some might be in danger of losing their faith in literature...might well be one of the few recent works of fiction that will be remembered at the end of this century" "Observer".
Orhan Pamuk - Other Colours
"Other Colours" is a collection of immediate relevance and timeless value, ranging from lyrical autobiography to criticism of literature and culture, from humour to political analysis, from delicate evocations of his friendship with his daughter Ruya to provocative discussions of Eastern and Western art. It also covers Pamuk's recent, high profile, court case. "My Father's Suitcase", Pamuk's 2006 Nobel Lecture, a brilliant illumination of what it means to be a writer, completes the selection from a man who is now without doubt one of international literature's most eminent and popular figures.
Claudia Roden - Arabesque
In the 1960s Claudia Roden introduced Americans to a new world of tastes in her classic A Book of Middle Eastern Food. Now, in her enchanting new book, Arabesque, she revisits the three countries with the most exciting cuisines today—Morocco, Turkey, and Lebanon. Interweaving history, stories, and her own observations, she gives us 150 of the most delectable recipes: some of them new discoveries, some reworkings of classic dishes—all of them made even more accessible and delicious for today’s home cook. From Morocco, the most exquisite and refined cuisine of North Africa: couscous dishes; multilayered pies; delicately flavored tagines; ways of marrying meat, poultry, or fish with fruit to create extraordinary combinations of spicy, savory, and sweet. From Turkey, a highly sophisticated cuisine that dates back to the Ottoman Empire yet reflects many new influences today: a delicious array of kebabs, fillo pies, eggplant dishes in many guises, bulgur and chickpea salads, stuffed grape leaves and peppers, and sweet puddings. From Lebanon, a cuisine of great diversity: a wide variety of mezze (those tempting appetizers that can make a meal all on their own); dishes featuring sun-drenched Middle Eastern vegetables and dried legumes; and national specialties such as kibbeh, meatballs with pine nuts, and lamb shanks with yogurt. Claudia Roden knows this part of the world so intimately that we delight in being in such good hands as she translates the subtle play of flavors and simple cooking techniques to our own home kitchens.
Orhan Pamuk - The Naive and the Sentimental Novelist
What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Orhan Pamuk takes us into the worlds of the writer and the reader, revealing their intimate connections. Pamuk draws on Friedrich Schiller’s famous distinction between “naive” poets—who write spontaneously, serenely, unselfconsciously—and “sentimental” poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist’s craft. He ponders the novel’s visual and sensual power—its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he considers the elements of character, plot, time, and setting that compose the “sweet illusion” of the fictional world. Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive book by one of the modern masters of the art.
Akif Pirinçci - Felidae (angol)
An internationally acclaimed suspense novel features the adventures of Francis, a house cat who, in trying to catch the murderer of his feline friends, meets up with a bizarre cat cult, a kitty computer whiz, and a perceptive Persian.
Akif Pirinçci - Felidae on the Road
Francis enjoys a comfortable existence with his human companion Gustav, until one day disaster strikes. Gustav imports a live-in lover who aims to reform his lifestyle, and his cat's. Francis decides to escape and take his chances in the country. This novel is a sequel to "Felidae".
G. L. Lewis - Turkish grammar
Description: Since its appearance in 1967, Professor Lewis's Turkish Grammar has been the standard work on the language throughout the English-speaking world. This revised and fully updated new edition further reflects the results of the language reform movement which, though not so drastic in its effect on the spoken language, has made anything written before the early 1930s, and a lot since, increasingly obscure to subsequent generations. Incorporating much new material, it presents an authoritative, lucid, and engaging text, setting out every form and construction of pre- and post-reform Turkish that may be encountered in print, as well as colloquial usages. Introduction; Bibliography; Abbreviations; Orthography and Phonology; The Noun; The Adjective; Noun and Adjective Suffixes; Pronouns; Numerals; Postpositions; The Verb; Participles; Verbal Nouns; Gerunds; Adverbs; Conjunctions and Particles; Word-Formation; The Order of Elements in the Sentence; Number, Case, and Apposition; The Noun Clause and the Substantival Sentence; Adjectival Phrases and Participial Qualifiers; The Subjunctive; Conditional Sentences; Asyndetic Subordination; Punctuation; Sentence-Analysis; Further Examples; Index [the index is further divided for ease of reference]
Orhan Pamuk - The White Castle
The White Castle, Orhan Pamuk's celebrated first novel, is the tale of a young Italian scholar. Captured by pirates between Venice and Naples, he is put for auction at the Istanbul slave market, and bought by a Turkish savant eager to learn about scientific and intellectual advances in the West. But as they bond over each other's sins and secrets, and their relationship grows increasingly complex, master and slave find themselves part of the Sultan's army, and on a journey that will lead them, ultimately, to the White Castle.
Orhan Pamuk - Snow
Dread, yearning, identity, intrigue, the lethal chemistry between secular doubt and Islamic fanaticism-these are the elements that Orhan Pamuk anneals in this masterful, disquieting novel. An exiled poet named Ka returns to Turkey and travels to the forlorn city of Kars. His ostensible purpose is to report on a wave of suicides among religious girls forbidden to wear their head-scarves. But Ka is also drawn by his memories of the radiant Ipek, now recently divorced. Amid blanketing snowfall and universal suspicion, Ka finds himself pursued by figures ranging from Ipek's ex-husband to a charismatic terrorist. A lost gift returns with ecstatic suddenness. A theatrical evening climaxes in a massacre. And finding god may be the prelude to losing everything else. Touching, slyly comic, and humming with cerebral suspense, "Snow" is of immense relevance to our present moment.
Latife Tekin - Berji Kristin
A nihilistic wit reminiscent of Samuel Beckett.?"Independent on Sunday" The cast-offs of modern urban society are driven out onto the edges of the city and left to make a life there for themselves. They are not, however, in any natural wilderness, but in a world of refuse and useless junk?a place which denies any form of sustainable life. Here, the unemployed, the homeless, the old and the bereft struggle to build shelters out of old tin cans, scavenge for food and fight against insuperable odds. And yet somehow they survive: it seems that society thrives on the garbage hills because it has always been built on one. In this dark fairy tale full of scenes taken from what has increasingly become a way of life for many inhabitants on this planet, Latife Tekin has written a grim parable of human destiny. A major best seller in her native Turkey, Latife Tekin maintains a politically active presence and has written a number of literary works.
Orhan Pamuk - My Father's Suitcase
“Two years before his death, my father gave me a small suitcase full of his writings, hand writings and notebooks.” Orhan Pamuk gave a speech called “My Father’s Suitcase” when he received the Nobel Prize in Literature in December 2006. This emotional speech which sincerely conveys the spirit of Pamuk’s thirty two years of writing effort, had a deep, worldwide impact. This book combines “My Father’s Suitcase” which is a basic text about writing and living with Pamuk’s two other speeches in which the same subjects and problems are discussed from other perspectives. “The Implied Author”, the speech that Pamuk gave when he received the Puterbaugh Prize given by World Literature magazine, in April 2006 is about the psychology of writing and the urge and adventure of being a writer. Pamuk’s other speech, “In Kars and in Frankfurt” that was given when he received the Peace Prize given by the German Publishers Associations in October 2005 is investigating the power of the writer to put himself in another’s place and the political consequences of this very natural human talent. My Father’s Suitcase consists of three speeches that are seen as a whole by their writer. It’s a unique, personal book on what writing is, how to become a writer, life and writing, the writer’s patience and the secrets of the art of novel
Orhan Pamuk - Istanbul
A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy–or hüzün– that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters–both Turkish and foreign–who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.