The centre of the world 1990s Manhattan. Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasnt been and with people he doesnt know. On the eve of opening the trendiest nightclub in New Yorks history, hes living with one beautiful model and having an affair with another. Now its time to move to the next stage. But the future he gets is not the one he had in mind.
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Bret Easton Ellis - The Informers
In this seductive and chillingly nihilistic novel, Bret Easton Ellis, the author of American Psycho, returns to Los Angeles, the city whose moral badlands he portrayed unforgettably in Less Than Zero. This time is the early eighties. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city. Dirk sees his best friend killed in a desert car wreck, then rifles through his pockets for a last joint before the ambulance comes. Cheryl, a wannabe newscaster, chides her future stepdaughter, “You're tan but you don't look happy.” Jamie is a clubland carnivore with a taste for human blood. As rendered by Ellis, their interactions compose a chilling, fascinating, and outrageous descent into the abyss beneath L.A.'s gorgeous surfaces.
Bret Easton Ellis - Less than Zero
Set in Los Angeles in the early 1980s, this coolly mesmerizing novel is a raw, powerful portrait of a lost generation. They experienced sex, drugs, and disaffection at too early an age, and lived in a world shaped by casual nihilism, passivity, and too much money. Clay comes home for Christmas vacation from his Eastern college and reenters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew his feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs, and also into the seamy world of L.A. after dark.
Yann Martel - Life of Pi
After the tragic sinking of a cargo ship, one solitary lifeboat remains bobbing on the wild, blue Pacific.The crew of the surviving vessel consists of a hyena, a zebra (with a broken leg), a female orang-utan, a 450-pound Royal Bengal tiger and Pi - a 16-year-old Indian boy.The scene is set for one of the most extraordinary pieces of literary fiction of recent years. Yann Martel's Life of Pi is a transformative novel, a dazzling work of imagination that will delight and astound readers in equal measure. It is a triumph of storytelling and a tale that will, as one character puts it, make you believe in God.
Bret Easton Ellis - Lunar Park
Imagine becoming a bestselling novelist while still in college, and almost immediately famous and wealthy, then seeing your insufferable father reduced to a bag of ashes in a safety-deposit box, even as your celebrity drowns in a sea of vilification, booze and drugs. Imagine being given a second chance, as the Bret Easton Ellis of this remarkable novel is given. Lunar Park confounds one expectation after another, passing through comedy and mounting psychological and supernatural horror toward an astonishing resolution - about love and loss, fathers and sons - in what is surely the most original and moving novel of an extraordinary career.
David Foster Wallace - Infinite Jest
A gargantuan, mind-altering comedy about the Pursuit of Happiness in America Set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human - and one of those rare books that renew the idea of what a novel can do.
Mark Z. Danielewski - House of Leaves
When Johnny Truant attempts to organize the many fragments of a strange manuscript by a dead blind man, it gains possession of his very soul. The manuscript is a complex commentary on a documentary film (The Navidson Record) about a house that defies all the laws of physics. Navidson's exploration of a seemingly endless, totally dark, and constantly changing labyrinth in the house becomes an examination of truth, perception, and darkness itself. The book interweaves the manuscript with over 400 footnotes to works real and imagined, thus illuminating both the text and Truant's mental disintegration. First novelist Danielewski employs avant-garde page layouts that are occasionally a bit too clever but are generally highly effective. Although it may be consigned to the "horror" genre, this novel is also a psychological thriller, a quest, a literary hoax, a dark comedy, and a work of cultural criticism. It is simultaneously a highly literary work and an absolute hoot. This powerful and extremely original novel is strongly recommended for all public and academic libraries.--Jim Dwyer, California State Univ. Lib., Chico Copyright 2000 Cahners Business Information.
Bret Easton Ellis - Imperial Bedrooms
Twenty-five years on from "Less Than Zero", we pick up again with "Clay". In 1985, Bret Easton Ellis shocked, stunned and disturbed with "Less Than Zero", his 'extraordinarily accomplished first novel' ("New Yorker"), successfully chronicling the frightening consequences of unmitigated hedonism within the ranks of the ethically bereft youth of 80s Los Angeles. Now, twenty-five years later, Ellis returns to those same characters: to Clay and the band of infamous teenagers whose lives weave sporadically through his. But now, some years on, they face an even greater period of disaffection: their own middle age. Clay seems to have moved on - he's become a successful screenwriter - but when he returns from New York to Los Angeles, to help cast his new movie, he's soon drifting through a long-familiar circle. Blair, his former girlfriend, is now married to Trent, and their Beverly Hills parties attract excessive levels of fame and fortune, though for all that Trent is a powerful manager, his baser instincts remain: he's still a bisexual philanderer. Then there's Clay's childhood friend, Julian - who's now a recovering addict - and their old dealer, Rip - face-lifted beyond recognition and seemingly even more sinister than he was in his notorious past. Clay, too, struggles with his own demons after a meeting with a gorgeous actress determined to win a role in his movie. And with his life careening out of control, he's forced to come to terms with the deepest recesses of his character - and with his seemingly endless proclivity for betrayal.
Mary Shelley - Frankenstein (angol)
Frankenstein is a masterpiece of nineteenth-century Gothicism and the prototype of the twentieth-century science-fiction novel. It was conceived in the Swiss Alps in mid-June 1816 after a conversation about bringing corpses to life provoked a nightmare, and was written over the next eleven months in largely morbid circumstances. Death and the terrors of childbirth--as much as Romanticism, a burgeoning awareness of unconscious drives, and contemporary ideas of atheism, the collapse of the social contract, and the corrupting influence of society on human nature--inform this story of a man (or monster) built by Dr. Victor Frankenstein and brought to life by electricity. The monster's culpability for various horrific acts, his powerlessness in the face of his complete ostracism from society, and Dr. Frankenstein's lies, abdication of responsibility, and the pain he inflicts on his creation raised chilling questions that made the novel an immediate bestseller.
Oscar Wilde - The Picture of Dorian Gray
There can be many varying reasons for selling one's soul to the devil. Fame, power, love; a distraction of this world can rapidly consume the entirety of one's concentration until the distraction becomes that person's very "reality". It is fascinating to observe how the good in this world can be overlooked or neglected due to the singularity of one's concentration on what is, ultimately, the "bad". The Picture of Dorian Gray is a story that captures such a concept and places it in the context of late nineteenth century London. Basil Hallward is a painter, one of amateur talents, but a painter that receives an inspiration that some like to call divine. A particularly new acquaintance of his, a Mr. Dorian Gray, seems to put all art into perspective for the aspiring artist. The result is a perfectly splendid picture of the beautiful Dorian Gray, who sits for Hallward in the epitome of innocence. There is a friend of Hallward's, who goes by the name of Lord Henry Wotton. Harry, as his friends call him, is something of an enigma to the familial circles of English aristocracy; Dorian most aptly entitles him "Prince Paradox" much later in the novel. Gray is immediately captivated by the charisma of Lord Wotton, whom he met while Hallward is painting his portrait. Following the completion of the painting, Dorian becomes melancholic, having just learned the wonders of his youth and beauty from Prince Paradox; indeed, upon gazing into his own picture, Dorian Gray is already missing his youthful splendour. In his newfound narcissism, Dorian makes a foolhardy wish: that the painting grows old and ugly while he should retain his exceptional beauty. There is a liberal utilization of symbolization in this controversial book, and most particularly so in Henry Wotton and his meeting with Dorian Gray. Harry, who becomes Dorian's closest friend, represents a kind of hedonism that is vastly different from the sociality of their familiars, and yet also apart from the vulgar tastes of the uneducated. In the words of Dorian Gray: "Yes: there was to be, as Lord Henry prophesied, a new Hedonism that was to recreate life, and to save it from the harsh, uncomely Puritanism that was making its own curious revival. It was to have its service of the intellect, certainly; yet, it was never to accept any theory or system that would involve the sacrifice of any mode of passionate experience. His aim, indeed, was to be experience itself, and not the fruits of experience, sweet or bitter as they might be. Of the asceticism that deadens the sense, as of the vulgar profligacy that dulls them, it was to know nothing. But it was to teach man to concentrate himself upon the moments of a life that is itself but a moment." Before Dorian Gray met Lord Henry Wotton, he recognized things as they were. Following that momentous exchange, Dorian Gray recognized only shadows. Art, to the corrupted youth, was not just a reflection of life and love, but reality itself. Passion is the first and final goal of his new worldview, and it ultimately destroys the child within. Basil Hallward symbolizes the simplicity, the good, and the rare in modern London: his friend Henry calls him "dull", as all great artists are. Hallward, in a clever instance of foreboding, did not want Lord Henry to even meet Dorian: "Dorian Gray has a simple and beautiful nature… Don't spoil him." The good in life seems to become less relevant, less necessary as life goes on, as the individual experiences more, until the good doesn't seem to exist… at all. A key idea in the Picture of Dorian Gray is, I think, the fall of innocence to the pleasures of this novel Hedonism that plays the antagonism of this story. Though Dorian may indeed retain his outer beauty, startling the perceptions of everyone near him, the soul within becomes unrecognizable to a simple eye, to any eye removed of darkness. In the writing of this, his only novel, Oscar Wilde manages to take hold of several key ideas and succeeds in putting them on a magnificent, provocative display. The central themes, art, love and novelty, are the fine threads that boldly form the grandeur of the patterned Idea. As this is the ultimate goal in every work of art, I would claim that The Picture of Dorian Gray is an accomplished story on every level.
Lewis Carroll - Alice's Adventures in Wonderland
There, on top of the mushroom, was a large caterpillar, smoking a pipe. After a while the Caterpillar took the pipe out of its mouth and said to Alice in a slow, sleepy voice, 'Who are you?' What strange things happen when Alice falls down the rabbit-hole and into Wonderland! She has conversations with the Caterpillar and the Cheshire Cat, goes to the Mad Hatter's tea party, plays croquet with the King and Queen of Hearts...
Don DeLillo - Underworld
Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life; she is an artist who has made a blood struggle for independence. Underworld is a story of men and women together and apart, seen in deep, clear detail and in stadium-sized panoramas, shadowed throughout by the overarching conflict of the Cold War. It is a novel that accepts every challenge of these extraordinary times — Don DeLillo's greatest and most powerful work of fiction.
J. D. Salinger - The Catcher in the Rye
Ever since it was first published in 1951, this novel has been the coming-of-age story against which all others are judged. Read and cherished by generations, the story of Holden Caulfield is truly one of America's literary treasures. Salinger's classic coming-of-age story portrays one young man's funny and poignant experiences with life, love, and sex.
Kazuo Ishiguro - Never Let Me Go
From the Booker Prize-winning author of The Remains of the Day comes a devastating new novel of innocence, knowledge, and loss. As children Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were. Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special–and how that gift will shape the rest of their time together. Suspenseful, moving, beautifully atmospheric, Never Let Me Go is another classic by the author of The Remains of the Day.
Ernest Hemingway - Fiesta: The Sun Also Rises
Fiesta: The Sun Also Rises tells the story of Jake Barnes, an expatriate living in Paris. He was wounded in World War I, and is now a journalist who spends his time drinking with other American expatriates. The group of characters travel from Paris to Pamplona for the running of the bulls.
Kazuo Ishiguro - The Unconsoled
Ryder, a renowned pianist, arrives in a Central European city he cannot identify for a concert he cannot remember agreeing to give. But then as he traverses a landscape by turns eerie and comical - and always strangely malleable, as a dream might be - he comes steadily to realise he is facing the most crucial performance of his life. Ishiguro's extraordinary study of a man whose life has accelerated beyond his control was met on publication by consternation, vilification - and the highest praise.
Anthony Burgess - A Clockwork Orange
Fifteen-year-old Alex and his three friends start an evening's mayhem by hitting an old man, tearing up his books and stripping him of money and clothes. Or rather Alex and his three droogs tolchock an old veck, razrez his books, pull off his outer platties and take a malenky bit of cutter. For Alex's confessions are written in 'nadsat' - a teenage argot of a not-too-distant future. Because of his delinquent excesses, Alex is jailed and made subject to 'Ludovico's Technique', a chilling experiment in Reclamation Treatment... Horror farce? Social Prophecy? Penetrating study of human choice between good and evil? A Clockwork Orange is all three, dazzling proof of Anthony Burgess's vast talents.
F. Scott Fitzgerald - The Great Gatsby
The exemplary novel of the Jazz Age, F. Scott Fitzgeralds' third book, The Great Gatsby (1925), stands as the supreme achievement of his career. T. S. Eliot read it three times and saw it as the "first step" American fiction had taken since Henry James; H. L. Mencken praised "the charm and beauty of the writing," as well as Fitzgerald's sharp social sense; and Thomas Wolfe hailed it as Fitzgerald's "best work" thus far. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when, The New York Times remarked, "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s that resonates with the power of myth. A novel of lyrical beauty yet brutal realism, of magic, romance, and mysticism, The Great Gatsby is one of the great classics of twentieth-century literature.
David Markson - Wittgenstein’s Mistress
Wittgenstein's Mistress is a novel unlike anything David Markson — or anyone else — has ever written. It is the story of a woman who is convinced — and may ultimately convince the reader as well — that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything from Brahms to sex to Heidegger to Helen of Troy.
Paul Auster - Moon Palace
Spanning three generations, Moon Palace is the story of Marco Stanley Fogg and his quest for identity in the modern world. Moving from the concrete canyons of Manhattan to the cruelly beautiful landscape of the American West, it is a meditation on and re-examination of America, art and the self, by one of America's foremost authors.
Sylvia Plath - The Bell Jar
The first and only novel by Sylvia Plath, originally published in 1963. When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. Instead she finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women’s aspirations seriously.