The final part of Murakami’s gripping, sensational mystery story
At the close of Book Two of 1Q84, Aomame and Tengo found themselves in perilous situations, threatened and confused.
As 1Q84 accelerates towards its conclusion, both are pursued by persons and forces they do not know and cannot understand. As they begin to decipher more about the strange world into which they have slipped, so they sense their destinies converging. What they cannot know is whether they will find one another before they are themselves found.
Inspired by George Orwell’s Nineteen Eighty-Four, 1Q84 is a magnificent and fully-imagined work of fiction – both a thriller and a moving love-story . It is a world from which the reader emerges stunned and altered.
Book Three of 1Q84 is the final volume of Murakami’s magnum opus. In Japan, Books One and Two were published on the same day with Book Three following a year later. All three books were received with huge excitement and became instant bestsellers. The UK publication reflects the pattern of the original publication with Books One and Two being released in one volume and Book Three following in a separate edition.
Haruki Murakami - 1Q84 1-3. (angol)
A mesmerising, epic masterpiece from Haruki Murakami. The year is 1984. Aomame sits in a taxi on the expressway in Tokyo. Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world. She has been on a top-secret mission, and her next job will lead her to encounter the apparently superhuman founder of a religious cult. Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange affair surrounding a literary prize to which a mysterious seventeen-year-old girl has submitted her remarkable first novel. It seems to be based on her own experiences and moves readers in unusual ways. Can her story really be true? Aomame and Tengo's stories influence one another, at times by accident and at times intentionally, as the two come closer and closer to intertwining. As 1Q84 accelerates towards its conclusion, both are pursued by persons and forces they do not know and cannot understand. As they begin to decipher more about the strange world into which they have slipped, so they sense their destinies converging. What they cannot know is whether they will find one another before they are themselves found. 1Q84 is a magnificent and fully-imagined work of fiction, a thriller, a love-story and a mind-bending ode to George Orwell's Nineteen Eighty-Four. It is a world from which the reader emerges stunned and altered.
Haruki Murakami - 1Q84 3. (angol)
The final part of Murakami's gripping, sensational mystery story At the close of Book Two of 1Q84, Aomame and Tengo found themselves in perilous situations, threatened and confused. As 1Q84 accelerates towards its conclusion, both are pursued by persons and forces they do not know and cannot understand. As they begin to decipher more about the strange world into which they have slipped, so they sense their destinies converging. What they cannot know is whether they will find one another before they are themselves found. Inspired by George Orwell's Nineteen Eighty-Four, 1Q84 is a magnificent and fully-imagined work of fiction - both a thriller and a moving love-story . It is a world from which the reader emerges stunned and altered. Book Three of 1Q84 is the final volume of Murakami's magnum opus. In Japan, Books One and Two were published on the same day with Book Three following a year later. All three books were received with huge excitement and became instant bestsellers. The UK publication reflects the pattern of the original publication with Books One and Two being released in one volume and Book Three following in a separate edition.
Haruki Murakami - A Wild Sheep Chase
Wild Sheep Chase is one of Murakami's most fantastical novels. An advertising executive, infatuated with a girl who possesses the most perfect ears, is sent on a search for the sheep with a star on its back. This catapults him into a weird adventure to find the sheep in the wilds of Hokkaido, Japan's northern island. There are strange stories, strange encounters. A Wild Sheep Chase is an early Murakami work, but its remarkable and individual voice makes it one of the most compelling and funny of his books. Superbly read by Rupert Degas with an edge of Raymond Chandler.
Haruki Murakami - Sputnik Sweetheart
"How does Murakami manage to make poetry while writing of contemporary life and emotions? I am weak-kneed with admiration." Independent on Sunday "Murakami has been compared to everyone from Raymond Carver to Raymond Chandler - which should tell you only one thing: he's unique." Independent "Sputnik Sweetheart has touched me deeper and pushed me further than anything I've read in a long time." Guardian forrás: libri.hu
Haruki Murakami - The Elephant Vanishes
The Elephant Vanishes is a collection of short stories by Japanese author Haruki Murakami. The stories were written between 1983 and 1990, and the collection's first English publication was in 1993. Stylistically and thematically, the collection aligns with Murakami's previous work. The stories mesh normality with surrealism, and focus on painful issues involving loss, destruction, confusion and loneliness. The title for the book is derived from the final story in the collection.
Haruki Murakami - Hard-boiled Wonderland and the End of the World
Japan's most widely-read and controversial writer, author of A Wild Sheep Chase, hurtles into the consciousness of the West with this narrative about a split-brained data processor, a deranged scientist, his shockingly undemure granddaughter, and various thugs, librarians, and subterranean monsters--not to mention Bob Dylan and Lauren Bacall.
Haruki Murakami - Norwegian Wood
When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost twenty years to his student days in Tokyo, adrift in a world of uneasy friendships, casual sex, passion, loss and desire - to a time when an impetuous young woman called Midori marches into his life and he has to choose between the future and the past.
Haruki Murakami - After the Quake
The economy was booming. People had more money than they knew what to do with. And then the earthquake struck. For the characters in After the Quake, the Kobe earthquake is an echo from a past they buried long ago. Satsuki has spent thirty years hating one man: a lover who destroyed her chances of having children. Did her desire for revenge cause the earthquake? Junpei's estranged parents live in Kobe. Should he contact them? Miyake left his family in Kobe to make midnight bonfires on a beach hundreds of miles away. Fourteen-year-old Sala has nightmares that the Earthquake Man is trying to stuff her inside a little box. Katagiri returns home to find a giant frog in his apartment on a mission to save Tokyo from a massive burrowing worm. 'When he gets angry, he causes earthquakes, says Frog. And right now he is very, very angry. This new collection of stories, from one of the world's greatest living writers, dissects the violence beneath the surface of modern Japan.
Cormac McCarthy - The Road
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
Haruki Murakami - The Wind-up Bird Chronicle
'Murakami writes of contemporary Japan, urban alienation and journey's of self-discovery, and in this book he combines recollections of the war with metaphysics, dreams and hallucinations into a powerful and impressionistic work', Independent .'Murakami weaves these textured layers of reality into a shot-silk garment of deceptive beauty', Independent on Sunday .'Critics have variously likened him to Raymond Carver, Raymond Chandler, Arthur C. Clarke, Don DeLillo, Philip K. Dick, Bret Easton Ellis and Thomas Pynchon - a roster so ill assorted as to suggest Murakami is in fact an original', New York Times .'Deeply philosophical and teasingly perplexing, it is impossible to put down', Daily Telegraph .'How does Murakami manage to make poetry while writing of contemporary life and emotions? I am weak-kneed with admiration', Independent on Sunday
Haruki Murakami - After Dark
A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Eri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber–mysteriously tied to the businessman plagued by the mark of his crime – will either restore or annihilate her. After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency – the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight, and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.
Haruki Murakami - What I Talk About When I Talk About Running
From the best-selling author of The Wind-Up Bird Chronicle and After Dark, a rich and revelatory memoir about writing and running, and the integral impact both have made on his life. In 1982, having sold his jazz bar to devote himself to writing, Haruki Murakami began running to keep fit. A year later, he’d completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a slew of critically acclaimed books, he reflects upon the influence the sport has had on his life and–even more important–on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and includes settings ranging from Tokyo’s Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvellous lens of sport emerges a cornucopia of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs, and the experience, after the age of fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in distance running.
Haruki Murakami - Blind Willow, Sleeping Woman
A young man accompanies his cousin to the hospital to check an unusual hearing complaint and recalls a story of a woman put to sleep by tiny flies crawling inside her ear; a mirror appears out of nowhere and a nightwatchman is unnerved as his reflection tries to take control of him; a couple's relationship is unbalanced after dining exclusively on exquisite crab while on holiday; a man follows instructions on the back of a postcard to apply for a job, but an unknown password stands between him and his mysterious employer. In each one of these stories Murakami sidesteps the real and sprints for the surreal. Everyday events are transcended, leaving the reader dazzled by this master of his craft.
Don DeLillo - Mao II
"One of the most intelligent, grimly funny voices to comment on life in present-day America" (The New York Times), Don DeLillo presents an extraordinary new novel about words and images, novelists and terrorists, the mass mind and the arch-individualist. At the heart of the book is Bill Gray, a famous reclusive writer who escapes the failed novel he has been working on for many years and enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms. Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott's lover — and Bill's.
Ismeretlen szerző - 1001 könyv, amit el kell olvasnod, mielőtt meghalsz
Egy remek és bátor kézikönyv a világ képzeletét megragadó regényekről és szerzőkről. Hasznos kalauz a könyvekhez, amelyek - akár kritikai sikerként, akár kultuszműként - hatást gyakoroltak ránk. Az írókból, kritikusokból, tudósokból álló nemzetközi szerzőgárda eklektikus válogatása új megközelítést ad a régi klasszikusokhoz, és eligazít a kortárs szépirodalom hatalmas dzsungelében. Több mint 600 színes illusztráció – könyvborítók, plakátok és fakszimile oldalak -, a regényekből vett idézetekkel kiegészítve: íme az ideális segédkönyv az olvasás szerelmeseinek.
Haruki Murakami - Underground
On Monday 20 March 1995 the Japanese Aum cult released a deadly cloud of Sarin nerve gas into the Tokyo underground. 12 people were killed and an estimated 3,800 suffered serious after-effects. Haruki Murakami, one of Japan's leading novelists (considered by many to be one of the most important writers now writing), was both shocked and fascinated by the awful event. Murakami's response was to interview as many of those affected as he could (only 60 victims were willing to be questioned), interested as he was in the stories created by this one awful event on so many lives. He also interviewed a number of members of the Aum cult: "I'm sure each member of the Science and Technology elite had his own personal reasons for renouncing the world and joining Aum. What they all had in common, though, was a desire to put the technical skill and knowledge they'd acquired in the service of a more meaningful goal ... that might very well be me. It might be you". The result is Underground his first work of non-fiction. Murakami writes complex, sometimes overbearing and dense novels but he here makes very little intervention into his text, simply presenting a background sketch of each before allowing the victims and cult-members to speak freely for themselves through the transcripts. They present an intricate, rounded and cinematic view of day that none of us should ever forget.
Chuck Palahniuk - Fight Club
Every weekend, in basements and parking lots across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded for as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight Club is the invention of Tyler Durden, projectionist, waiter and dark, anarchic genius. And it's only the beginning of his plans for revenge on a world where cancer support groups have the corner on human warmth.
Cormac McCarthy - No Country for Old Men
Llewelyn Moss, hunting antelope near the Rio Grande, stumbles upon a transaction gone horribly wrong. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice - leave the scene as he found it, or cut the money and run. Choosing the latter, he knows, will change everything. And so begins a terrifying chain of events, in which each participant seems determined to answer the question that one asks another: how does a man decide in what order to abandon his life?
Douglas Adams - The Salmon of Doubt
he Salmon of Doubt: Hitchhiking the Galaxy One Last Time is a posthumous collection of previously unpublished material by Douglas Adams. It consists largely of essays about technology and life experiences, but its major selling point is the inclusion of the incomplete novel on which Adams was working at the time of his death, The Salmon of Doubt (from which the collection gets its title, a reference to the Celtic myth of the Salmon of Wisdom). English editions of the book were published in the USA and UK in May 2002, exactly one year after the author's death.
Yann Martel - Pi élete
Pi Patel különös fiú. Egyesek szerint (közéjük tartoznak a szülei is) bogaras. Tizenhat évesen elhatározza, hogy nemcsak hindu akar lenni (születésénél fogva az), hanem keresztény és moszlim is. És keresztül is viszi az akaratát: nemcsak hogy megkeresztelkedik, de beszerez egy imaszőnyeget is. Hősünknek már a neve is furcsa: keresztnevét - Piscine Molitor - egy párizsi uszodáról kapta. Iskolatársai persze Pisisnek csúfolják, mire ő lerövidíti a nevét, és a gyengébbek kedvéért felírja a táblára: π=3,14. Az is furcsa, hogy egy állatkertben lakik Pondicherry városában, amelynek apja a tulajdonosa és vezetője. És éppen itt kezdődnek a bajok: az állatkert nem jövedelmező - a család úgy dönt, hogy eladja az állományt, s átköltöznek Kanadába. Az Észak-Amerikába szánt példányok egy része velük utazik a Cimcum nevű teherhajón. A hajó egy éjszaka valahol a Csendes-óceán kellős közepén elsüllyed. Az egyetlen túlélő Pi Patel - valamint egy mentőcsónak-rakományra való állat: egy zebra, egy orangután, egy hiéna - és egy bengáli tigris! Kezdetét veszi a jámbor, vallásos és vegetáriánus Pi több mint kétszáz napos hányódása a végtelen vizeken. Vajon mennyi és miféle leleményességre van szükség ahhoz, hogy egy kamasz gyerek meg egy két és fél mázsás tigris kialakítson valamiféle békés egymás mellett élést? S ha ez sikerül is, honnan és hogyan szereznek ételt-italt ilyen hosszú időn át? Egyáltalán: mivel telhet ilyen hosszú idő a végtelen, de korántsem kihalt tengeren? Milyen kalandok, milyen élmények várnak rájuk? Meg lehet-e úszni ép ésszel az ilyesmit? A Spanyolországban született, Kanadában élő Yann Martel egy csapásra világhírű lett ezzel a lebilincselően izgalmas és fájdalmasan szép könyvvel, amellyel elnyerte a Booker-díjat is.