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Lucas ​Cranah the Elder (1472-1553) was the most important German painter, after Dürer, of the early sixteenth century […]. In his choice of subject matter he adpoted many motifs of the new German humanists, which he linked with the tenets of the Reformation.

Cranach’s painting is modulated and rhítmical: hes extremly elegant profiles recall the firmness of Japanese prints. […] And when he paints a Venus, we can sense his nostalgia for the pagan world.

At first sight, Cranach seems less universal than Dürer and less inclined to drama and phatos than Grünewald, but his paintingis so rich and varied that he deserves a place among the three ‘Magi’ of German sixteenth century art.

GIULIO CARLO ARGAN

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