Into a white millionaire’s Caribbean mansion comes: Jadine, a graduate of the Sorbonne, art historian – an American black now living in Paris and Rome and Son, a criminal on the run, uneducated, violent, contemptuous – an American black from small-town Florida. He is a threat to her freedom she is a threat to his identity.
Cormac McCarthy - The Road
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
Cormac McCarthy - The Orchard Keeper
An American classic, The Orchard Keeper is the first novel by one of America's finest novelists and author of the critically acclaimed national bestseller All the Pretty Horses. Set in a small, remote community in rural Tennessee, it tells the story of a young boy and the outlaw bootlegger who, unbeknownst to either of them, has killed the boy's father.
Don DeLillo - Libra
An unparalleled work of historical conjecture, ranging imaginatively over huge tracts of the American popular consciousness, Don DeLillo's Libra contains an introduction by the author in Penguin Modern Classics. In this powerful, eerily convincing fictional speculation on the assassination of President John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of JFK will galvanize the nation against Communism, the scales are irrevocably tipped.
Don DeLillo - Great Jones Street
The narrator of this novel is Bucky Wunderlick, a Dylan-Jagger amalgam who finds he's gone as far as he knows how. Mid tour he leaves his rock band and holes up in a dingy East Village apartment, in Great Jones Street. The plot revolves around his retreat and a drug designed to silence dissidents.
Don DeLillo - Players
In this remarkeble novel of menace and mystery Pammy and Lyle Wynant are an attractive, modern couple who seem to have it all. Yet behind their "ideal" life is a lingering boredom and quiet desperation which leads both of them into separate but equally fatal adventures. And still they remain untouched, "players" indifferent to the violence that surrounds them, and that they have helped to create. "Don DeLillo... is original, versatile, and, in his disdain of last year's emotional guarantees, fastidious... Into our technology-ridden daily lives he reads the sinister ambiguities, the floating ugliness of America's recent history" John Updike, _New Yorker_ "A witty, harrowing and superbly controlled novel about modern alienation and violence" _Washington Post_
Toni Morrison - The Bluest Eye
The Bluest Eye, published in 1970, is the first novel written by Toni Morrison, winner of the 1993 Nobel Prize in Literature. It is the story of eleven-year-old Pecola Breedlove -- a black girl in an America whose love for its blond, blue-eyed children can devastate all others -- who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment.
Toni Morrison - Song of Solomon
This is the story of Macon ''Milkman'' Dead, as he makes a voyage of rediscovery, travelling southwards geographically and inwards spiritually. Through the enlightenment of one man the novel recapitulates the history of slavery and liberation.
Herman Melville - Moby Dick (angol)
Moby-Dick, written in 1851, recounts the adventures of the narrator Ishmael as he sails on the whaling ship Pequod under the command of Captain Ahab. Ishmael believes he has signed onto a routine commission aboard a normal whaling vessel, but he soon learns that Captain Ahab is not guiding the Pequod in the simple pursuit of commerce but is seeking one specific whale, Moby-Dick, a great while whale infamous for his giant proportions and his ability to destroy the whalers that seek him. Captain Ahab's wooden leg is the result of his first encounter with the whale, when he lost both leg and ship. But Captain Ahab is bent on revenge and he intends to get Moby-Dick. Ahab demonstrates erratic behavior from the very beginning and his eccentricities magnify as the voyage progresses. As the novel draws to a conclusion, the Pequod encounters the whaling ship Rachel. The Rachel's captain asks Ahab to help him in a search and rescue effort for his whaling-crew that went missing the day before - and the captain's son is among the missing. But when Ahab learns that the crew disappeared while tangling with Moby-Dick he refuses the call to aid in the rescue so that he may hunt Moby-Dick instead. The encounter with Moby-Dick brings a tragic end to the affair. Ishmael alone survives, using his friend Queequeg's coffin as a flotation device until he is ironically rescued by the Rachel, which has continued to search for its missing crew. The novel is not only a great American classic, but is also heralded as one of greatest novels in the English language.
Kurt Vonnegut - Hocus Pocus
Ingram. A small, exclusive college in upstate New York is nestled along the frozen shores of Lake Mohiga . . . and directly across from a maximum-security prison. The two institutions manage to coexist peacefully, until 10,000 prisoners break out and head directly for the college.
Paul Auster - Mr. Vertigo (angol)
Paul Auster's dazzling, picaresque novel is the story of one Walter Claireborne Rawley, renowned nationwide as "Walt the Wonder Boy." It is the late 1920's, the era of Babe Ruth, Charles Lindbergh, and Al Capone, and Walt is a Saint Louis orphan rescued frm the streets by the mysterious Hungarian Master Yehudi, who teaches Walt to walk on air. The vaudeville act that results from Walt's marvelous new abiltiy takes them across a vast and vibrant country, where they meet and fall prey to sinners, thieves, and villains, from the Kansas Ku Klux Klan to the Chicago mob. Walt's rise to fame and fortune mirrors America's own coming of age, and his resilience, like that of the nation, is challenged over and over again. Mr. Vertigo is a bravura celebration of a raucous age, an ambitious and enduringly brilliant tale of trial and triumph.
Cormac McCarthy - All the Pretty Horses
Part bildungsroman, part horse opera, part meditation on courage and loyalty, this beautifully crafted novel won the National Book Award in 1992. The plot is simple enough. John Grady Cole, a 16-year-old dispossessed Texan, crosses the Rio Grande into Mexico in 1949, accompanied by his pal Lacey Rawlins. The two precocious horsemen pick up a sidekick--a laughable but deadly marksman named Jimmy Blevins--encounter various adventures on their way south and finally arrive at a paradisiacal hacienda where Cole falls into an ill-fated romance. Readers familiar with McCarthy's Faulknerian prose will find the writing more restrained than in Suttree and Blood Meridian. Newcomers will be mesmerized by the tragic tale of John Grady Cole's coming of age.
Cormac McCarthy - Cities of the Plain
On a ranch in southeastern Texas, soon after World War II, a group of solitary, inarticulately lonely men gathers to work animals as the sun sets for good on the mythic American West. All of these men nurse losses both personal (siblings or wives) and collective (a shared lifestyle and philosophy). Among them is John Grady Cole, the adolescent hero of the first book in Cormac McCarthy's Border trilogy, All the Pretty Horses. John Grady remains the magnificent horseman he always was, and he still dreams too much. On the ranch, he meets Billy Parham, whose own tragic sojourn through Mexico in The Crossing, the second book of the set, continues to quietly suffocate him. The two form a friendship that will nurture both but save neither from the destiny that McCarthy's characters always sense lurching to meet them. Soaked in storm-heavy atmosphere but brightened by the ranch-hands' easy camaraderie and gentle humor, Cities of the Plain surprises with its sweetness. The awkward doomed-romance plot at the center of this tight, concise novel fails to convince, but, remarkably, does little to undercut the book's impact. What lingers here, and what matters, are the brooding, eerie portraits of the plains and the riders, glimpsed mostly alone but occasionally leaning together, who slip across them, over the horizon into memory. --Glen Hirshberg
Kurt Vonnegut - Slaughterhouse-Five
In its publication year, Slaughterhouse-Five was nominated for a best-novel Nebula Award and for a best-novel Hugo Award, 1970. It lost both to The Left Hand of Darkness, by Ursula K. Le Guin. Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes unstuck in time after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden. Don't let the ease of reading fool you! Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Slaughterhouse-Five (taken from the name of the building where the POWs were held) is not only Vonnegut's most powerful book, it is as important as any written since 1945. Like Catch-22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy–and humor.
Cormac McCarthy - Suttree (angol)
By the author of Blood Meridian and All the Pretty Horses, Suttree is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there--a brilliantly imagined collection of eccentrics, criminals, and squatters--he rises above the physical and human squalor with detachment, humor, and dignity.
Thomas Pynchon - Mason & Dixon
Charles Mason (1728-1786) and Jeremiah Dixon (1733-1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, and major caffeine abuse. We follow the mismatched pair--one rollicking, the other depressive; one Gothic, the other pre-Romantic--from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back, through the strange yet redemptive turns of fortune in their later lives, on a grand tour of the Enlightenment's dark hemisphere, as they observe and participate in the many opportunities for insanity presented them by the Age of Reason.
Cormac McCarthy - Child of God
Scuttling down the mountain with the thing on his back he looked like a man beset by some ghast succubus, the dead girl riding him with legs bowed akimbo like a monstrous frog." Child of God must be the most sympathetic portrayal of necrophilia in all of literature. The hero, Lester Ballard, is expelled from his human family and ends up living in underground caves, which he peoples with his trophies: giant stuffed animals won in carnival shooting galleries and the decomposing corpses of his victims. Cormac McCarthy's much-admired prose is suspenseful, rich with detail, and yet restrained, even delicate, in its images of Lester's activities. So tightly focused is the story on this one "child of God" that it resembles a myth, or parable. "You could say that he's sustained by his fellow men, like you.... A race that gives suck to the maimed and the crazed, that wants their wrong blood in its history and will have it
Toni Morrison - Sula
Sula and Nel are two young black girls: clever and poor, they grow up together sharing their secrets, dreams and happiness. Then Sula breaks free from their small-town community in the uplands of Ohio to roam the cities of America. When she returns ten years later much has changed. Including Nel, who now has a husband and three children. The friendship between the two women becomes strained and the whole town grows wary as Sula continues in her wayward, vagabond and uncompromising ways.
Cormac McCarthy - Outer Dark
Outer Dark is a novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.