An American classic, The Orchard Keeper is the first novel by one of America’s finest novelists and author of the critically acclaimed national bestseller All the Pretty Horses. Set in a small, remote community in rural Tennessee, it tells the story of a young boy and the outlaw bootlegger who, unbeknownst to either of them, has killed the boy’s father.
Paul Auster - The Brooklyn Follies
Nathan Glass has come to Brooklyn to die. Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore. Through Tom and his charismatic boss, Harry, Nathan's world gradually broadens to include a new set of acquaintances, which leads him to a reckoning with his past.
Cormac McCarthy - The Road
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
Cormac McCarthy - The Crossing
The opening section of The Crossing, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like All the Pretty Horses, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead. This is a McCarthy novel, not Old Yeller, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy. Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men. But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. --Glen Hirshberg
Cormac McCarthy - Outer Dark
Outer Dark is a novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
Cormac McCarthy - Child of God
Scuttling down the mountain with the thing on his back he looked like a man beset by some ghast succubus, the dead girl riding him with legs bowed akimbo like a monstrous frog." Child of God must be the most sympathetic portrayal of necrophilia in all of literature. The hero, Lester Ballard, is expelled from his human family and ends up living in underground caves, which he peoples with his trophies: giant stuffed animals won in carnival shooting galleries and the decomposing corpses of his victims. Cormac McCarthy's much-admired prose is suspenseful, rich with detail, and yet restrained, even delicate, in its images of Lester's activities. So tightly focused is the story on this one "child of God" that it resembles a myth, or parable. "You could say that he's sustained by his fellow men, like you.... A race that gives suck to the maimed and the crazed, that wants their wrong blood in its history and will have it
Toni Morrison - Love
May, Christine, Heed, Junior, Vida - even L - all women obsessed by Bill Cosey. More than the wealthy owner of the famous Cosey Hotel and Resort, he shapes their yearnings for father, husband, lover, guardian, friend, yearnings that dominate the lives of these women long after his death. Yet, while he is both the void in, and the centre of, their stories, he himself is driven by secret forces - a troubled past and a spellbinding woman named Celestial. This audacious vision of the nature of love - its appetite, its sublime possession, its dread - is rich in characters and striking scenes, and in its profound understanding of how alive the past can be. "Love" is a major addition to the canon of one of the world's literary masters.
Cormac McCarthy - Cities of the Plain
On a ranch in southeastern Texas, soon after World War II, a group of solitary, inarticulately lonely men gathers to work animals as the sun sets for good on the mythic American West. All of these men nurse losses both personal (siblings or wives) and collective (a shared lifestyle and philosophy). Among them is John Grady Cole, the adolescent hero of the first book in Cormac McCarthy's Border trilogy, All the Pretty Horses. John Grady remains the magnificent horseman he always was, and he still dreams too much. On the ranch, he meets Billy Parham, whose own tragic sojourn through Mexico in The Crossing, the second book of the set, continues to quietly suffocate him. The two form a friendship that will nurture both but save neither from the destiny that McCarthy's characters always sense lurching to meet them. Soaked in storm-heavy atmosphere but brightened by the ranch-hands' easy camaraderie and gentle humor, Cities of the Plain surprises with its sweetness. The awkward doomed-romance plot at the center of this tight, concise novel fails to convince, but, remarkably, does little to undercut the book's impact. What lingers here, and what matters, are the brooding, eerie portraits of the plains and the riders, glimpsed mostly alone but occasionally leaning together, who slip across them, over the horizon into memory. --Glen Hirshberg
Cormac McCarthy - Suttree (angol)
By the author of Blood Meridian and All the Pretty Horses, Suttree is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there--a brilliantly imagined collection of eccentrics, criminals, and squatters--he rises above the physical and human squalor with detachment, humor, and dignity.
Paul Auster - Invisible
Sinuously constructed in four interlocking parts, Invisible opens in New York City in the spring of 1967 when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University meets the enigmatic Frenchman Rudolf Born, and his silent and seductive girlfriend Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life. Three different narrators tell the story, as it travels in time from 1967 to 2007 and moves from New York to Paris and to a remote Caribbean island in a story of unbridled sexual hunger and a relentless quest for justice. With uncompromising insight, Auster takes us to the shadowy borderland between truth and memory, authorship and identity to produce a work of unforgettable power that confirms his reputation as one of America's most spectacularly inventive writers.
Toni Morrison - Song of Solomon
This is the story of Macon ''Milkman'' Dead, as he makes a voyage of rediscovery, travelling southwards geographically and inwards spiritually. Through the enlightenment of one man the novel recapitulates the history of slavery and liberation.
Christopher Moore - You Suck
Being undead sucks. Literally. Just ask C. Thomas Flood. Waking up after a fantastic night unlike anything he's ever experienced, he discovers that his girlfriend, Jody, is a vampire. And surprise! Now he's one, too. For some couples, the whole biting-and-blood thing would have been a deal breaker. But Tommy and Jody are in love, and they vow to work through their issues. But word has it that the vampire who initially nibbled on Jody wasn't supposed to be recruiting. Even worse, Tommy's erstwhile turkey-bowling pals are out to get him, at the urging of a blue-dyed Las Vegas call girl named (duh) Blue. And that really sucks.
Chuck Palahniuk - Haunted
"Haunted" is a novel made up of stories: twenty-three of them to be precise. Twenty-two of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter - sometimes all at once. They are told by the people who have all answered the ad headlined 'Artists Retreat: Abandon your life for three months'. They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theatre where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations become to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight. "Haunted" is at one level a satire of reality television. It draws from a great literary tradition - "The Canterbury Tales", "The Decameron", the English storytellers in the Villa Diodati who produced, among other works, "Frankenstein" - to tell an utterly contemporary tale of people desperate that their story be told at any cost. Appallingly entertaining, "Haunted" is Chuck Palahniuk at his finest - which means his most extreme and his most provocative.
Chuck Palahniuk - Diary
Diary takes the form of a 'coma diary' kept by one Misty Wilmot as her husband lies senseless in hospital after a suicide attempt. Once she was an art student dreaming of creativity and freedom; now, after marrying Peter at at school and being brought back to once quaint, now tourist-overrun Waytansea Island, she's been reduced to the condition of a resort hotel maid. Peter, it turns out, has been hiding rooms in houses he's refurbished and srawling vile messages all over the walls. Angry homeowners are suing, and Misty's dreams of artistic greatness are in ashes. But then, as if posessed by the spirit of Maura Kinkaid, a fabled Waytansea artist of the nineteenth century, Misty begins painting again, compulsively. The canvases are taken away by her mother in law and her doctor, who seem to have a plan for Misty - and for all those annoying tourists...
George R. R. Martin - A Game of Thrones
In a world where the approaching winter will last four decades, kings and queens, knights and renegades struggle for control of a throne. Some fight with sword and mace, others with magic and poison. Beyond the Wall to the north, meanwhile, the Others are preparing their army of the dead to march south as the warmth of summer drains from the land. After more than a decade devoted primarily to TV and screen work, Martin (The Armageddon Rag, 1983) makes a triumphant return to high fantasy with this extraordinarily rich new novel, the first of a trilogy. Although conventional in form, the book stands out from similar work by Eddings, Brooks and others by virtue of its superbly developed characters, accomplished prose and sheer bloody-mindedness. Although the romance of chivalry is central to the culture of the Seven Kingdoms, and tournaments, derring-do and handsome knights abound, these trappings merely give cover to dangerous men and women who will stop at nothing to achieve their goals. When Lord Stark of Winterfell, an honest man, comes south to act as the King's chief councilor, no amount of heroism or good intentions can keep the realm under control. It is fascinating to watch Martin's characters mature and grow, particularly Stark's children, who stand at the center of the book. Martin's trophy case is already stuffed with major prizes, including Hugos, Nebulas, Locus Awards and a Bram Stoker. He's probably going to have to add another shelf, at least. Major ad/promo.
Vanessa Diffenbaugh - The Language of Flowers
The Victorian language of flowers was used to express emotions: honeysuckle for devotion, azaleas for passion, and red roses for love. But for Victoria Jones, it has been more useful in communicating feelings like grief, mistrust and solitude. After a childhood spent in the foster care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen, Victoria has nowhere to go, and sleeps in a public park, where she plants a small garden of her own. When her talent is discovered by a local florist, she discovers her gift for helping others through the flowers she chooses for them. But it takes meeting a mysterious vendor at the flower market for her to realise what's been missing in her own life, and as she starts to fall for him, she's forced to confront a painful secret from her past, and decide whether it’s worth risking everything for a second chance at happiness. The Language of Flowers is a heartbreaking and redemptive novel about the meaning of flowers, the meaning of family, and the meaning of love.
Sara Shepard - Vicious
In Rosewood, Pennsylvania, reporters are lined up outside the historic courthouse, typing furiously at their iPhones with freshly manicured nails. Because the trial of the century is happening right here in Rosewood: the four pretty little liars have been accused of killing Alison DiLaurentis. Only Aria, Spencer, Hanna, and Emily know that they've been framed. Ali is still out there, laughing as she watches the girls go down for her murder. But when your nickname includes the word "liar," no one believes you're telling the truth. . . . Aria tries to run away from it all but finds that life on the lam is even harder than life as a liar. Spencer gets in touch with someone who can help her disappear--but when a guy from her past reemerges, Spencer no longer knows what she wants. Hanna decides that she'll hear wedding bells chime before she serves time. And in the face of prison, Emily does something truly drastic--something that will change her friends' lives forever. As the trial goes on and the outcome looks grim, the girls are in their darkest hour yet. But maybe they can finally figure out how to beat Ali at her own game. Because once upon a time, she was just a pretty little liar too.
Robin Hobb - Dragon Haven
Return to the world of the Liveships Traders and journey along the Rain Wild River in the second instalment of high adventure from the author of the internationally acclaimed Farseer trilogy.The dragon keepers and the fledgling dragons are forging a passage up the treacherous Rain Wild River. They are in search of the mythical Elderling city of Kelsingra, and are accompanied by the liveship Tarman, its captain, Leftrin, and a group of hunters who must search the forests for game with which to keep the dragons fed. With them are Alise, who has escaped her cold marriage to the cruel libertine Hest Finbok in order to continue her study of dragons, and Hest's amanuensis, Bingtown dandy, Sedric.Rivalries and romances are already threatening to disrupt the band of explorers: but external forces may prove to be even more dangerous. Chalcedean merchants are keen to lay hands on dragon blood and organs to turn them to medicines and profit. Their traitor has infiltrated the expeditionand will stop at nothing to obtain the coveted body parts. And then there are the Rain Wilds themselves: mysterious, unstable and ever perilous, its mighty river running with acid, its jungle impenetrable and its waterways uncharted.Will the expedition reach their destination unscathed? Does the city of Kelsingra even exist? Only one thing is certain: the journey will leave none of the dragons nor their human companions unchanged by the experience.
Robin Hobb - Blood of Dragons
The final volume in Robin Hobb's popular Rain Wilds fantasy series, Blood of Dragons completes the story of the dragons, their keepers, and their quest to find the lost city of Kelsingra—and the mythical silver wells that the dragons need to survive. Can Tintaglia and the Elderlings unlock the secrets of the ancient city? Or are they doomed to extinction? The world of Robin Hobb’s Rain Wilds series has been praised by Booklist as "one of the most gripping settings in modern fantasy," and Publishers Weekly called the Rain Wilds books "a meticulously realized fantasy tale" and "a welcome addition to contemporary dragon lore."
Robin Hobb - Shaman's Crossing
The first book in a brand new trilogy from the author of the Farseer, Liveship Traders and Tawny Man trilogies. When the two-hundred year war between the kingdoms of Vania and Landsing ended the Landsingers were left in triumphant possession of Vania's rich coal and coast territories. When young King Troven assumed the throne of Vania thirty years later, he was determined to restore her greatness, not through waging another assault upon their traditional enemies, but by looking in the opposite direction and colonising the wild plains and steppes to their east. Over the next twenty years, cavalry forces manage to subdue the rolling plains formerly wasted on nomadic herders and tribesmen.Troven's campaign restores the pride of the Varnian military and to reward them, Troven creates a new nobility that is extremely loyal to their monarch. Beyond the grasslands lies the current frontier of Varnia, the heavily forested Barrier Mountains, home to enigmatic Specks: a dappled, forest dwelling people, unable to tolerate the heat and full sunlight of the plains. The new settlers find the Specks slightly dim-witted and overly placid, and yet strangely difficult to control. There are tales that they are 'blood-drinkers' and their nature worship of ancestral trees has presented difficulties for those who wish to harvest the forest's exotic timber. They also harbour strange diseases, ones that cause the Specks little more than a week or two of discomfort but which frequently kills those settlers and soldiers who fall victim to it. For that reason, prolonged contact, and especially intimate contact with the Specks is judged both fool-hardy and disgusting. Nevare Gerar is the second son of one of King Troven's new lords. Following in his father's footsteps, a commission as a cavalry officer at the frontier and an advantageous marriage await him, once he has completed his training at the King's Cavalry Academy.
Robin Hobb - Forest Mage
This is the second book in the brand new trilogy from the author of the "Tawny Man" trilogy, following on from the bestselling Shaman's "Crossing". The King's Cavalla Academy has been ravaged by the Speck plague. Hundreds of cadets and instructors have been lost to the disease, and even the survivors may never fully recover. Many have been forced to relinquish their military ambitions and return to their families to face lives of dependency and disappointment. As the Academy infirmary empties, Cadet Nevare Burvelle also prepares to journey home, to attend his brother Rosse's wedding. Far from being a broken man, Nevare is hale and hearty after his convalescence. Instead of growing rake - thin like the other plague victims, Nevare has put on weight. In fact, he just can't stop putting on weight, no matter how much he exercises or how little he eats. To make matters worse, his nights are haunted by dreams of the voluptuous Tree Woman, dreams in which his Speck self betrays everything he holds dear in his waking life. Has the plague infected him in ways far more mysterious than the merely physical? Despite his fears, Nevare will journey back to Widevale in high spirits, in full expectation of a jubilant homecoming and a tender reunion with his young and beautiful fiancee, Carsina. But his life is about to take a dramatic, unexpected and shocking turn; and soon he may be forced to choose sides, between civilized Gernia, his ancestry and upbringing and the magical, sensual world of the Specks.