In The Making of Americans, Gertrude Stein sets out to tell “a history of a family’s progress”, radically reworking the traditional family saga novel to encompass her vision of personality and psychological relationships. As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America.
Virginia Woolf - The Waves
The Waves (1931) is Virginia Woolf's most experimental and saturated piece of writing. During the process of composition its self-awareness was prefigural. That is to say, its production of sound, figure, and language were ahead of the author's conscious intention to the extent that she was – famously – obliged to go stumbling after her own seemingly autonomous voice. In one sense, then, The Waves obviously represents a high-Modernist breaking and remaking of novelistic form. But in another sense it is really the acme of a certain kind of rhetoric in which Woolf was long practised and in which she had achieved great facility; and it takes that sort of fluency about as far as Woolf would have wished to go. The Waves consists of soliloquies spoken by the book's six characters: Bernard, Susan, Rhoda, Neville, Jinny, and Louis. Also important is Percival, the seventh character, though readers never hear him speak through his own voice. The monologues that span the characters' lives are broken up by nine brief third-person interludes detailing a coastal scene at varying stages in a day from sunrise to sunset.
Don DeLillo - Underworld
Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life; she is an artist who has made a blood struggle for independence. Underworld is a story of men and women together and apart, seen in deep, clear detail and in stadium-sized panoramas, shadowed throughout by the overarching conflict of the Cold War. It is a novel that accepts every challenge of these extraordinary times — Don DeLillo's greatest and most powerful work of fiction.
Paul Auster - Man in the Dark
Seventy-two-year-old August Brill is recovering from a car accident. Plagued by insomnia, he tries to push back thoughts of things he would prefer to forget - his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus - by telling himself stories. He imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall, and the 2000 election results led to secession, as state after state pulled away from the union, and a bloody civil war ensued. Brill gradually opens up to his granddaughter, recounting the story of his marriage and confronting the grim reality of Titus’s death. Man in the Dark is a novel of our time, a book that forces us to confront the blackness of night whilst also celebrating the existence of ordinary joys in a brutal world.
J. D. Salinger - The Catcher in the Rye
Ever since it was first published in 1951, this novel has been the coming-of-age story against which all others are judged. Read and cherished by generations, the story of Holden Caulfield is truly one of America's literary treasures. Salinger's classic coming-of-age story portrays one young man's funny and poignant experiences with life, love, and sex.
Kazuo Ishiguro - The Unconsoled
Ryder, a renowned pianist, arrives in a Central European city he cannot identify for a concert he cannot remember agreeing to give. But then as he traverses a landscape by turns eerie and comical - and always strangely malleable, as a dream might be - he comes steadily to realise he is facing the most crucial performance of his life. Ishiguro's extraordinary study of a man whose life has accelerated beyond his control was met on publication by consternation, vilification - and the highest praise.
Haruki Murakami - Norwegian Wood
When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost twenty years to his student days in Tokyo, adrift in a world of uneasy friendships, casual sex, passion, loss and desire - to a time when an impetuous young woman called Midori marches into his life and he has to choose between the future and the past.
David Herbert Lawrence - Sons and Lovers
Drawing on his own childhood and adolescence, Lawrence depicts the early married life of the Morels - the father a hardworking, hard-drinking Nottinhamshire coal miner, the mother a refined woman of middle-class aspirations. Born into the family battle, their son Paul Morel initially takes his mother's part, until in adolescence he meets and falls in love with a young girl, Miriam, and discovers a new conflict of loyalties. Sons and Lovers portrays the sexual and emotional struggle of Paul Morel, caught between the women he attempted to love, and in it D. H. Lawrence transforms autobiography into art.
J. D. Salinger - Franny and Zooey
This book contains two wonderful stories about members of the Glass family by the author of _The Catcher in the Rye._ The first story takes place in downtown New Haven during the weekend of 'the Yale game' and follows Franny Glass on a date with her collegiate boyfriend. The second focuses on Zooey Glass, a somewhat emotionally toughened genius. As his younger sister Franny hits an emotional crisis in her parents' Manhattan living room, Zooey comes to her aid, offering love, understanding, and words of sage advice.
Virginia Woolf - To the Lighthouse
This novel is an extraordinarily poignant evocation of a lost happiness that lives on in the memory. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever. In this, her most autobiographical novel, Virginia Woolf captures the intensity of childhood longing and delight, and the shifting complexity of adult relationships. From an acute awareness of transcience, she creates an enduring work of art.
Herman Melville - Moby Dick (angol)
Moby-Dick, written in 1851, recounts the adventures of the narrator Ishmael as he sails on the whaling ship Pequod under the command of Captain Ahab. Ishmael believes he has signed onto a routine commission aboard a normal whaling vessel, but he soon learns that Captain Ahab is not guiding the Pequod in the simple pursuit of commerce but is seeking one specific whale, Moby-Dick, a great while whale infamous for his giant proportions and his ability to destroy the whalers that seek him. Captain Ahab's wooden leg is the result of his first encounter with the whale, when he lost both leg and ship. But Captain Ahab is bent on revenge and he intends to get Moby-Dick. Ahab demonstrates erratic behavior from the very beginning and his eccentricities magnify as the voyage progresses. As the novel draws to a conclusion, the Pequod encounters the whaling ship Rachel. The Rachel's captain asks Ahab to help him in a search and rescue effort for his whaling-crew that went missing the day before - and the captain's son is among the missing. But when Ahab learns that the crew disappeared while tangling with Moby-Dick he refuses the call to aid in the rescue so that he may hunt Moby-Dick instead. The encounter with Moby-Dick brings a tragic end to the affair. Ishmael alone survives, using his friend Queequeg's coffin as a flotation device until he is ironically rescued by the Rachel, which has continued to search for its missing crew. The novel is not only a great American classic, but is also heralded as one of greatest novels in the English language.
William Faulkner - The Sound and the Fury
A novel which describes the dissolution of the once aristocratic Compson family in the American South, told through the eyes of three of its members. In different ways they prove unable to deal with either the responsibility of the past or the imperatives of the present.
Kurt Vonnegut - Hocus Pocus
Ingram. A small, exclusive college in upstate New York is nestled along the frozen shores of Lake Mohiga . . . and directly across from a maximum-security prison. The two institutions manage to coexist peacefully, until 10,000 prisoners break out and head directly for the college.
Haruki Murakami - After Dark
A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Eri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber–mysteriously tied to the businessman plagued by the mark of his crime – will either restore or annihilate her. After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency – the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight, and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.
Paul Auster - Winter Journal
From the bestselling novelist and author of The Invention of Solitude, a moving and highly personal meditation on the body, time, and language itself "That is where the story begins, in your body, and everything will end in the body as well. Facing his sixty-third winter, internationally acclaimed novelist Paul Auster sits down to write a history of his body and its sensations—both pleasurable and painful. Thirty years after the publication of The Invention of Solitude, in which he wrote so movingly about fatherhood, Auster gives us a second unconventional memoir in which he writes about his mother's life and death. Winter Journal is a highly personal meditation on the body, time, and memory, by one of our most intellectually elegant writers.
Paul Auster - Moon Palace
Spanning three generations, Moon Palace is the story of Marco Stanley Fogg and his quest for identity in the modern world. Moving from the concrete canyons of Manhattan to the cruelly beautiful landscape of the American West, it is a meditation on and re-examination of America, art and the self, by one of America's foremost authors.
Edward Albee - Who's Afraid of Virginia Woolf?
George, a disillusioned academic, and Martha, his caustic wife, have just come home from a faculty party. When a handsome young professor and his mousy wife stop by for a nightcap, an innocent night of fun and games quickly turns dark and dangerous. Long-buried resentment and rage are unleashed as George and Martha turn their rapier-sharp wits against each other, using their guests as pawns in their verbal sparring. By night's end, the secrets of both couples are uncovered and the lies they cling to are exposed. Considered by many to be Albee's masterpiece,Who's Afraid of Virginia Woolf?is a "brilliantly original work of art -- an excoriating theatrical experience, surging with shocks of recognition and dramatic fire" (Newsweek).
Ernest Hemingway - Fiesta: The Sun Also Rises
Fiesta: The Sun Also Rises tells the story of Jake Barnes, an expatriate living in Paris. He was wounded in World War I, and is now a journalist who spends his time drinking with other American expatriates. The group of characters travel from Paris to Pamplona for the running of the bulls.
Franz Kafka - America
The story of Karl Rossman who, after an embarrassing sexual misadventure with a servant girl, is banished to America by his parents. Expected to redeem himself in the magical land of opportunity, he instead gets swept up in a whirlwind of strange escapades and dizzying adventures.
Laurence Sterne - The Life and Opinions of Tristram Shandy, Gentleman
Rich in playful double entendres, digressions, formal oddities, and typographical experiments, The Life and Opinions of Tristram Shandy, Gentleman provoked a literary sensation when it first appeared in England in a series of volumes from 1759 to 1767. An ingeniously structured novel (about writing a novel) that fascinates like a verbal game of chess, Tristram Shandy is the most protean and playful English novel of the eighteenth century and a celebration of the art of fiction; its inventiveness anticipates the work of Joyce, Rushdie, and Fuentes in our own century. This Modern Library Paperback is set from the nine-volume first edition from 1759.