This collection of Vonnegut’s short masterpieces share his audacious sense of humor and extraordinary creative vision. Includes the stories “Where I Live,” “Harrison Bergeron,” “Who Am I This Time?,” “Welcome to the Monkey House,” “Long Walk to Forever,” “The Foster Portfolio,” “Miss Temptation,” “All the King’s Horses,” “Tom Edison’s Shaggy Dog,” “New Dictionary,” “Next Door,” “More Stately Mansions,” “The Hyannis Port Story,” and “D.P.”
Kurt Vonnegut - Player Piano
Kurt Vonnegut’s first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul’s rebellion is vintage Vonnegut—wildly funny, deadly serious, and terrifyingly close to reality.
Kurt Vonnegut - Jailbird
Jailbird takes us into a fractured and comic, pure Vonnegut world of high crimes and misdemeanors in government...and in the heart. This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentary as Watergate's least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times.
Kurt Vonnegut - Armageddon in Retrospect
Armageddon in Retrospect is a collection of twelve writings by Kurt Vonnegut on two of his most important subjects: war and peace. Written over the course of a lifetime, yet never before published, these pieces represent Vonnegut's unerring opposition to violence, and his rueful assessment of humanity's endless attraction to it. Imbued with his trademark humor, the selections range from a visceral nonfiction recollection of the destruction of Dresden during World War II, a piece that is as timely today as it was then; to a painfully funny short story about three privates and their fantasies of the perfect first meal upon returning home from war; to a darker, more poignant story about the impossibility of shielding our children from the temptations of violence. Combined, these pieces offer readers remarkable insight into Vonnegut as a soldier, writer, artist, parent, and human being striving for peace. This stunning volume also includes a letter that Vonnegut wrote to his family informing them that he'd been taken prisoner by the Germans; his last written speech; an introduction by his son, Mark Vonnegut; as well as an assortment of his marvelous artwork - like his writing, Vonnegut's art is colorful, unexpected, alternately poignant and potently funny. A fitting tribute, and an essential contribution to the discussion of war and peace, Armageddon in Retrospect says as much about the times in which we live as it does about the genius of the writer and artist.
Kurt Vonnegut - Breakfast of Champions
Kurt Vonnegut is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America's attention in The Sirens of Titan in 1959 and established him as "a true artist" with Cat's Cradle in 1963. He is, as Graham Greene has declared, "one of the best living American writers." Breakfast Of Champions is vintage Vonnegut. One of his favorite characters, aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. The result is murderously funny satire as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth.
Cormac McCarthy - The Road
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
Kurt Vonnegut - Deadeye Dick
Deadeye Dick is Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors–a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb–Rudy Waltz, a.k.a. Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.
Kurt Vonnegut - Galápagos (angol)
Galápagos takes the reader back one million years, to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave, new, and totally different human race. In this inimitable novel, America’s master satirist looks at our world and shows us all that is sadly, madly awry–and all that is worth saving.
Kurt Vonnegut - The Sirens of Titan
When Winston Niles Rumfoord flies his spaceship into a chrono-synclastic infundibulum he is converted into pure energy and only materializes when his waveforms intercept Earth or some other planet. As a result, he only gets home to Newport, Rhode Island, once every fifty-nine days and then only for an hour. But at least, as a consolation, he now knows everything that has ever happened and everything that ever will be. He knows, for instance, that his wife is going to Mars to mate with Malachi Constant, the richest man in the world. He also knows that on Titan - one of Saturn's moons - is an alien from the planet Tralfamadore, who has been waiting 200,000 years for a spare part for his grounded spacecraft...
Kurt Vonnegut - Cat's Cradle
Dr Felix Hoenikker, one of the founding 'fathers' of the atomic bomb, has left a deadly legacy to humanity. For he is the inventor of ice-nine, a lethal chemical capable of freezing the entire planet. Writer Jonah's search for its whereabouts leads him to Hoenikker's three eccentric children, to an island republic in the Caribbean where the religion of Bokonism is practised, to love and to insanity. Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction is a funny and frightening satire on the end of the world and the madness of mankind.
Kurt Vonnegut - Hocus Pocus
Ingram. A small, exclusive college in upstate New York is nestled along the frozen shores of Lake Mohiga . . . and directly across from a maximum-security prison. The two institutions manage to coexist peacefully, until 10,000 prisoners break out and head directly for the college.
Kurt Vonnegut - Slaughterhouse-Five
In its publication year, Slaughterhouse-Five was nominated for a best-novel Nebula Award and for a best-novel Hugo Award, 1970. It lost both to The Left Hand of Darkness, by Ursula K. Le Guin. Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes unstuck in time after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden. Don't let the ease of reading fool you! Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Slaughterhouse-Five (taken from the name of the building where the POWs were held) is not only Vonnegut's most powerful book, it is as important as any written since 1945. Like Catch-22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy–and humor.
Kurt Vonnegut - God Bless You, Mr. Rosewater
Eliot Rosewater—drunk, volunteer fireman, and President of the fabulously rich Rosewater Foundation—is about to attempt a noble experiment with human nature . . . with a little help from writer Kilgore Trout. _God Bless You, Mr. Rosewater_ is Kurt Vonnegut’s funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.
Haruki Murakami - After Dark
A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Eri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber–mysteriously tied to the businessman plagued by the mark of his crime – will either restore or annihilate her. After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency – the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight, and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.
Arthur C. Clarke - The Collected Stories of Arthur C. Clarke
The Collected Stories of Arthur C. Clarke, (ISBN 0-575-07065-X), first published in 2001, is a collection of almost every science fiction story shorter than novel length that Arthur C. Clarke has ever published: more than 100 in all arranged in order of publication, from "Travel by Wire!" in 1937 through to "Improving the Neighbourhood" in 1999. The story "Improving The Neighbourhood" has the distinction of being the first fiction published in the journal Nature.
Margaret Atwood - The Handmaid's Tale
A gripping vision of our society radically overturned by a theocratic revolution, Margaret Atwood’s The Handmaid's Tale has become one of the most powerful and most widely read novels of our time. Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules. Like Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, The Handmaid's Tale has endured not only as a literary landmark but as a warning of a possible future that is still chillingly relevant.
Haruki Murakami - Sputnik Sweetheart
"How does Murakami manage to make poetry while writing of contemporary life and emotions? I am weak-kneed with admiration." Independent on Sunday "Murakami has been compared to everyone from Raymond Carver to Raymond Chandler - which should tell you only one thing: he's unique." Independent "Sputnik Sweetheart has touched me deeper and pushed me further than anything I've read in a long time." Guardian forrás: libri.hu
Haruki Murakami - Kafka on the Shore
Kafka on the Shore follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. Their parallel odysseys are enriched throughout by vivid accomplices and mesmerising dramas. Cats converse with people; fish tumble from the sky; a ghostlike pimp deploys a Hegel-spouting girl of the night; a forest harbours soldiers apparently un-aged since WWII. There is a savage killing, but the identity of both victim and killer is a riddle. Murakami's new novel is at once a classic tale of quest, but it is also a bold exploration of mythic and contemporary taboos, of patricide, of mother-love, of sister-love. Above all it is an entertainment of a very high order.
Kurt Vonnegut - Az ötös számú vágóhíd / Slaughterhouse-Five
6., kétnyelvű ünnepi kiadás Van okunk ünnepelni. Kerek negyven esztendeje, 1969-ben jelent meg első ízben ez a méretében szerény, irodalomtörténeti jelentőségét illetően azonban korszakos mű. A szerző, ez a "tisztavérű" német, 1944-ben, alig huszonkét évesen az amerikai hadsereg felderítőjeként német hadifogságba esett a belga hadszintéren. Drezdába vitték. Az ékszerdoboz-szépségű barokk kórházvárost a brit légierő nem sokkal a második világháború befejezése előtt porig égette. Bosszúból. Coventryért, Londonért. Néhány óra alatt százharmincötezer ember, csupa öreg, gyermek, asszony és hadirokkant égett szénné. Katona egy sem akadt köztük. Vonnegutnak és társainak jutott a feladat, hogy a közparkokban hatalmas piramisokat építsenek a hullákból, és elhamvasszák őket. Tömegmészárlásról alighanem teljes képtelenség katartikus, ráadásul mulatságos könyvet írni. A szerző maga huszonöt éven át kísérletezett vele, mire végül megszületett a nevezetes "Dezda-kötet", s általa a világméretű Vonnegut-kultusz. 1969 óta millió és millió példány fogyott el a könyvből. Az írót nemcsak a hazájában, de az egész bolygón afféle prófétaként tisztelik. A groteszk, az abszurd, a fekete humor apostola ő. Meghalt, mégis elevenebben hat, mint valaha. E kétnyelvű kötet főhajtás a megrendítő erejű alkotás és Kurt Vonnegut géniusza előtt.
Haruki Murakami - 1Q84 1-3. (angol)
A mesmerising, epic masterpiece from Haruki Murakami. The year is 1984. Aomame sits in a taxi on the expressway in Tokyo. Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world. She has been on a top-secret mission, and her next job will lead her to encounter the apparently superhuman founder of a religious cult. Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange affair surrounding a literary prize to which a mysterious seventeen-year-old girl has submitted her remarkable first novel. It seems to be based on her own experiences and moves readers in unusual ways. Can her story really be true? Aomame and Tengo's stories influence one another, at times by accident and at times intentionally, as the two come closer and closer to intertwining. As 1Q84 accelerates towards its conclusion, both are pursued by persons and forces they do not know and cannot understand. As they begin to decipher more about the strange world into which they have slipped, so they sense their destinies converging. What they cannot know is whether they will find one another before they are themselves found. 1Q84 is a magnificent and fully-imagined work of fiction, a thriller, a love-story and a mind-bending ode to George Orwell's Nineteen Eighty-Four. It is a world from which the reader emerges stunned and altered.
Dan Simmons - Hyperion (angol)
On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits them all. On the eve of Armageddon with the entire galaxy at war, seven pilgrims set forth on a final voyage to Hyperion seeking the answers to the unsolved riddles of their lives. Each carries a desperate hope - and a terrible secret. And one may hold the fate of humanity in his hands. A stunning tour de force filled with transcendent awe and wonder, Hyperion is a masterwork of science fiction that resonates with excitement and invention, the first volume in a remarkable new science fiction epic by the multiple-award-winning author of The Hollow Man.