Nobel laureate Morrison returns more explicitly to the net of pain cast by slavery, a theme she detailed so memorably in Beloved. Set at the close of the 17th century, the book details America’s untoward foundation: dominion over Native Americans, indentured workers, women and slaves. A slave at a plantation in Maryland offers up her daughter, Florens, to a relatively humane Northern farmer, Jacob, as debt payment from their owner. The ripples of this choice spread to the inhabitants of Jacob’s farm, populated by women with intersecting and conflicting desires. Jacob’s wife, Rebekka, struggles with her faith as she loses one child after another to the harsh New World. A Native servant, Lina, survivor of a smallpox outbreak, craves Florens’s love to replace the family taken from her, and distrusts the other servant, a peculiar girl named Sorrow. When Jacob falls ill, all these women are threatened. Morrison’s lyricism infuses the shifting voices of her characters as they describe a brutal society being forged in the wilderness. Morrison’s unflinching narrative is all the more powerful for its relative brevity; it takes hold of the reader and doesn’t let go until the wrenching final-page crescendo.
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Virginia Woolf - Mrs. Dalloway (angol)
This brilliant novel explores the hidden springs of thought and action in one day of a woman’s life. Direct and vivid in her account of the details of Clarissa Dalloway’s preparations for a party she is to give that evening, Woolf ultimately managed to reveal much more. For it is the feeling behind these daily events that gives Mrs. Dalloway its texture and richness and makes it so memorable. Foreword by Maureen Howard.
"Mrs. Dalloway was the first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since.
"Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century."
--Michael Cunningham, author of The Hours
André Brink - A Chain of Voices
On a farm near the Cape Colony in the early nineteenth century, a slave rebellion kills three and leaves eleven others condemned to death. The rebellion's leader, Galant, was raised alongside the boys who would become his masters. His first victim, Nicholas van der Merwe, might have been his brother. As the many layers of Andre Brink's novel unfold, it becomes clear that the violent uprising is as much a culmination of family tensions as it is an outcry against the oppression of slavery. Spanning three generations and narrated in the voices of both the living and the dead, A Chain of Voices is reminiscent of William Faulkner's Absalom, Absalom!; it is a beautiful and haunting illustration of racism's plague on South Africa.
Cormac McCarthy - The Road
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
Margaret Atwood - The Handmaid's Tale
A gripping vision of our society radically overturned by a theocratic revolution, Margaret Atwood’s The Handmaid's Tale has become one of the most powerful and most widely read novels of our time.
Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules.
Like Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, The Handmaid's Tale has endured not only as a literary landmark but as a warning of a possible future that is still chillingly relevant.
Toni Morrison - Sula
Sula and Nel are two young black girls: clever and poor, they grow up together sharing their secrets, dreams and happiness. Then Sula breaks free from their small-town community in the uplands of Ohio to roam the cities of America. When she returns ten years later much has changed. Including Nel, who now has a husband and three children. The friendship between the two women becomes strained and the whole town grows wary as Sula continues in her wayward, vagabond and uncompromising ways.
Anthony Burgess - Nothing Like the Sun
One of Burgess's most acclaimed novels, Nothing Like the Sun has been out of print for over 10 years. An audacious and pacey romp through the life of William Shakespeare, it has long been regarded as the classic Shakespeare novel. From his humble origins to his exalted status as England's premier playwright and on to his tragic death, Burgess tells his story - leaving nothing out. Of particular interest to Burgess is Shakespeare's love-life, and the effect his relationships had on his work. From the historical sources, Burgess focuses on several of Shakespeare's possible relationships...and imagines how these translate into his work. As bawdy as A Midsummer Night's Dream, as moving as King Lear and as rich in imagination as The Tempest, this is a twentieth-century classic.
Anthony Burgess - One Hand Clapping
With film rights acquired by Francis Ford Coppola, this comic novel of instant riches is back in stock. From the author of A Clockwork Orange, One Hand Clapping is a comedy of game shows and greed, high stakes and the high life. The tragi-comedy of used car salesman Howard Shirley, his photographic brain, and the modern world's trivia and trivialities makes for vintage Burgess—at once hilarious and provocative. "Witty and shrewdly joyful."—The New York Times Book Review "A funny, pointed novel."—The New Yorker "Ingeniously and devilishly funny."—The Atlantic Monthly
Paul Auster - The Book of Illusions
Six months after losing his wife and two young sons in a plane crash, Vermont professor David Zimmer spends his waking hours mired in alcoholic grief and self-pity. Then, watching television one night, he stumbles upon a lost film by the great silent comedian Hector Mann, and finds himself entranced. His growing obsession with the mystery of Mann's true life story will take Zimmer on a strange and intense journey into a shadow-world of lies, illusions and unexpected love...
Paul Auster - Travels in the Scriptorium
Every day an old man wakes alone in an almost empty room, unable to remember his past. The only clues to his identity are a manuscript, a pile of photos, and a visitor called Anna who sparks memories of forgotten love and tragedy. A mystery about responsibility, ageing, and memory, _Travels in the Scriptorium_ is a brilliant new work from one of America's best-loved and most intriguing storytellers.
Kurt Vonnegut - Jailbird
Jailbird takes us into a fractured and comic, pure Vonnegut world of high crimes and misdemeanors in government...and in the heart. This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentary as Watergate's least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times.
Thomas Pynchon - Bleeding Edge
It is 2001 in New York City, in the lull between the collapse of the dot-com boom and the terrible events of September 11th. Silicon Alley is a ghost town, Web 1.0 is having adolescent angst, Google has yet to IPO, Microsoft is still considered the Evil Empire. There may not be quite as much money around as there was at the height of the tech bubble, but there’s no shortage of swindlers looking to grab a piece of what’s left.
Maxine Tarnow is running a nice little fraud investigation business on the Upper West Side, chasing down different kinds of small-scale con artists. She used to be legally certified but her license got pulled a while back, which has actually turned out to be a blessing because now she can follow her own code of ethics—carry a Beretta, do business with sleazebags, hack into people’s bank accounts—without having too much guilt about any of it. Otherwise, just your average working mom—two boys in elementary school, an off-and-on situation with her sort of semi-ex-husband Horst, life as normal as it ever gets in the neighborhood—till Maxine starts looking into the finances of a computer-security firm and its billionaire geek CEO, whereupon things begin rapidly to jam onto the subway and head downtown. She soon finds herself mixed up with a drug runner in an art deco motorboat, a professional nose obsessed with Hitler’s aftershave, a neoliberal enforcer with footwear issues, plus elements of the Russian mob and various bloggers, hackers, code monkeys, and entrepreneurs, some of whom begin to show up mysteriously dead. Foul play, of course.
With occasional excursions into the DeepWeb and out to Long Island, Thomas Pynchon, channeling his inner Jewish mother, brings us a historical romance of New York in the early days of the internet, not that distant in calendar time but galactically remote from where we’ve journeyed to since.
Will perpetrators be revealed, forget about brought to justice? Will Maxine have to take the handgun out of her purse? Will she and Horst get back together? Will Jerry Seinfeld make an unscheduled guest appearance? Will accounts secular and karmic be brought into balance?
Hey. Who wants to know?
Don DeLillo - Falling Man
There is September 11 and then there are the days after, and finally the years.
_Falling Man_ begins in the smoke and ash of the burning towers and traces the aftermath of that day in the lives of members of a fractured family. Intimate and brave, it is a resonant, compassionate exploration of reconfigured emotions, jolted memories, and irrevocably altered perceptions of the world.
Toni Morrison - Love
May, Christine, Heed, Junior, Vida - even L - all women obsessed by Bill Cosey. More than the wealthy owner of the famous Cosey Hotel and Resort, he shapes their yearnings for father, husband, lover, guardian, friend, yearnings that dominate the lives of these women long after his death. Yet, while he is both the void in, and the centre of, their stories, he himself is driven by secret forces - a troubled past and a spellbinding woman named Celestial. This audacious vision of the nature of love - its appetite, its sublime possession, its dread - is rich in characters and striking scenes, and in its profound understanding of how alive the past can be. "Love" is a major addition to the canon of one of the world's literary masters.
Paul Auster - The Brooklyn Follies
Nathan Glass has come to Brooklyn to die. Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore. Through Tom and his charismatic boss, Harry, Nathan's world gradually broadens to include a new set of acquaintances, which leads him to a reckoning with his past.
Paul Auster - Leviathan
When his closest friend, Benjamin Sachs, accidentally blows himself up on a Wisconsin road, Peter Aaron attempts to piece together the life that led to Sach's tragic demise and determine the reason for his death.
John Steinbeck - The Winter of our Discontent
Steinbeck's last great novel focuses on the theme of success and what motivates men towards it. Reflecting back on his New England family's past fortune, and his father's loss of the family wealth, the hero, Ethan Allen Hawley, characterizes success in every era and in all its forms as robbery, murder, even a kind of combat, operating under 'the laws of controlled savagery'.
Amy Tan - The Joy Luck Club
From the wealthy homes of pre-Revolutionary China to downtown San Francisco, this is the story of four mothers and their first-generation Chinese-American daughters; two generations of women struggling to come to terms with their cultural identity.
Thomas Pynchon - Gravity's Rainbow
Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the twentieth century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
Kingsley Amis - Lucky Jim
Kingsley Amis has written a marvelously funny novel describing the attempts of England's postwar generation to break from that country's traditional class structure. When it appeared in England, LUCKY JIM provoked a heated controversy in which everyone took sides. Even W. Somerset Maugham reviewed the book, happily with great favor: "Mr. Kingsley Amis is so talented, his observations so keen, that you cannot fail to be convinced that the young men he so brilliantly describes truly represent the classes with which his novel is concerned."
Don DeLillo - Americana
At twenty-eight, David Bell is the American dream come true. He has fought his way to the top, surviving office purges and scandals to become a top television executive. David’s world is made up of the images that flicker across America’s screens, the fantasies that enthrall America’s imagination.
And then the dream – and the dream-making – become a nightmare. At the height of success, David sets out to rediscover reality. Camera in hand, he journeys across the country in a mad and moving attempt to capture, to impose, a pattern on his own, and America’s, past, present, and future.